Architecture from Bryars and Bryars

Berlin, Dietrich Reimer, 1907. Imperial German Naval Office chart, sheet size 66.5 x 90 cms, engraved by F. Müllhaupt, black and white, centrefold, date-stamped 18 November 1908, blank verso; breakwaters and lights highlighted in colour; shows sands, soundings etc, with interior detail of relief and vegetation; inset profiles. The Hermit Islands in the Bismarck Archipelago of Papua New Guinea.… Read more about this item

Berlin, 1909. Imperial German Naval Office chart, sheet size 67 x 91 cm, engraved by F. Müllhaupt, black and white, centrefold, date-stamped 24 December 1909, blank verso; breakwaters and lights highlighted in colour; shows sands, soundings etc, with interior detail of relief, vegetation, roads and settlements; inset profiles. New Hanover Island or Lavongai in the Bismarck Archipelago of Papua… Read more about this item

Berlin and Leipzig: Gieseke & Devrient, 1896. Imperial German Naval Office chart, sheet size 76.5 x 56 cms, engraved by K. Blume, black and white, date-stamped 27 May 1896, laid on linen; shows sands, soundings etc, with interior detail of relief, vegetation, roads and settlements; inset profiles and view of the port of Lindi. Germany consolidated its hold over… Read more about this item

Paris, 1782. Copper engraving, 37.5 x 25 cms, black and white, blank verso. Plan of the Hadrianic temple of Zeus Lepsinos at Euromus (near Mylasa), regarded as one of the best preserved temple sites in Turkey. Plate 106 from the first volume of Choiseul-Gouffier’s “Voyage Pittoresque de la Grece”. Print

Paris, 1782. Copper engraving, 37 x 25 cms, black and white, blank verso. Elevation of an aqueduct at Ephesus. Plate 119 from the first volume of Choiseul-Gouffier’s “Voyage Pittoresque de la Grece”. Print

Paris, 1782. Copper engraving, 37 x 25 cms, black and white, blank verso. Elevation and architectural details of the Hadrianic temple of Zeus Lepsinos at Euromus (near Mylasa), regarded as one of the best preserved temple sites in Turkey. Plate 108 from the first volume of Choiseul-Gouffier’s “Voyage Pittoresque de la Grece”. Print

Paris, 1782. Copper engraving, 37 x 25 cms, black and white, blank verso. Plan and elevations of the ancient theatre at Telmessos, near modern Fethiye in Turkey. Plate 72 from the first volume of Choiseul-Gouffier’s “Voyage Pittoresque de la Grece”. Print

Paris, 1782. Copper engraving, 24.5 x 37 cms, black and white, blank verso. The Hellenistic era temple of Dionysus at Teos is described by Vitruvius. Plate 124 from the first volume of Choiseul-Gouffier’s “Voyage Pittoresque de la Grece”. Print

Paris, 1782. Copper engraving, 25 x 37 cms, black and white, light spotting, blank verso. Plate 122 from the first volume of Choiseul-Gouffier’s “Voyage Pittoresque de la Grece”. Print

Paris, 1782. Copper engraving, 37 x 25 cms, black and white, blank verso. Elevation and architectural details of the Hadrianic temple of Zeus Lepsinos at Euromus (near Mylasa), regarded as one of the best preserved temple sites in Turkey. Plate 109 from the first volume of Choiseul-Gouffier’s “Voyage Pittoresque de la Grece”. Print

Paris, 1782. Copper engraving, 37.5 x 25 cms, black and white, blank verso. Elevation and architectural details of the Hadrianic temple of Zeus Lepsinos at Euromus (near Mylasa), regarded as one of the best preserved temple sites in Turkey. Plate 107 from the first volume of Choiseul-Gouffier’s “Voyage Pittoresque de la Grece”. Print

Paris, 1782. Copper engraving, 37.5 x 25 cms, black and white, blank verso. Plate 123 from the first volume of Choiseul-Gouffier’s “Voyage Pittoresque de la Grece”. Print

London, 1762. Copper engraving, 29.5 x 94 cms, black and white, closed 13cm tear, one or two marginal nicks, blank verso with ink library stamp (and cancellation): Washington University Libraries. From the first volume of Stuart & Revett’s ‘Antiquities of Athens’. Stuart was justifiably dubious about the commonly accepted attribution; the ruins have since been identified as those of… Read more about this item

London, 1789. Copper engraving, 34 x 23 cms, engraved by E. Rooker, black and white. From Stuart & Revett’s Antiquities of Athens. Print

London, 1757. Copper engraving, 38.5 x 26 cms, black and white. Engraved by P. Fourdrinier after Giovanni Battista Borra, from Wood’s account of the ruins of Baalbek. Print

London, 1789. Copper engraving, 34.5 x 24.5 cms, black and white. From Stuart & Revett’s Antiquities of Athens. Print

London, 1757. Copper engraving, 39.5 x 26.5 cms, black and white. Engraved by P. Fourdrinier after Giovanni Battista Borra, from Wood’s account of the ruins of Baalbek. Print

London, 1757. Copper engraving, 39 x 26 cms, black and white. Engraved by P. Fourdrinier after Giovanni Battista Borra, from Wood’s account of the ruins of Baalbek. Print

Leipzig, 1725. Copper engraving, 29.5 x 42 cms, black and white. Shows Trajan’s Column in a reconstruction of its original setting. From the second edition of Fischer von Erlach’s extraordinary work on comparative architecture. Print

Paris, Imprimerie de la Republique, 1799.. Copper engraving, 27.5 x 43 cms, engraved by Varin after Cassas, black and white. From the ‘Voyage pittoresque de la Syrie, de la Phoenicie, de la Palestine, et de la Basse Ægypte’. Very light marginal spotting. Print