Search Results: multitude and solitude by john masefield

Macmillan, 1925-01-01. Hardcover. Good. 1.4000 7.3000 5.1000.

London: T. Nelson & Sons, c1910. Hardcover. Good. No Stock Photos! We photograph every item. front hinge split, some soiling and rubbing to boards, corners bumped; 4th novel from British Poet Laureate.

New York: Macmillan, 1925. Hardcover. Ex-Library. Ex-library with minimal markings, no dustjacket. Still a good reading copy.

Cape, 1927. Hardcover. Good. 1927. 295 pages. No dust jacket. Blue cloth with gilt lettering. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning.

T Nelson & Sons, 1111. Hardcover. Good. No edition remarks. 286 pages. No dust jacket. Red boards with gilt lettering to spine. 1 Black and white illustrative plate next to title page. Pages and binding are presentable with no major defects. Minor issues present such as mild crinkling, inscriptions and light tanning. Overall a good condition item. Boards have mild edge wear with light rubbing and crushing to spine. Some light marking and sunning causing discolouration. Gilt lettering is darkened slightly. Book has a slight forward lean. There is bumping to corners.

Jonathan Cape, 1927T. hardcover. Good. in x in x in. 1924 Cape edition on blue cloth intermittent spotting and browning to end papers

London: Grant Richards. Good with no dust jacket. 1909. First Edition. Hardcover. Green cloth cover has considerable wear at edges, head and tail of spine. Corners bumped and frayed, particularly lower front. Some chipping at head and tail of spine. Gilt lettering on spine is legible. White lettering and outline of tsetse fly on front covering is partially chipped and worn. Front hinge cracked at the half-title page, backing still holding. Signature of author on first blank leaf, which is tipped in. The signature appears to be authentic, but I cannot guarantee the leaf was not tipped in from another book. ; 8vo 8" - 9" tall; 300 pages .

Nelsons Library , London. small rd Cover red cloth 286 pages has library stamp and owners label but still in good reading order. Full refund if not satisfied. 24 hour despatch .

New York: The Macmillan Company, 1925. Book. Very Good (Book condition). Hardcover. Later Printing. An excellent copy bound in full blue buckram with gilt lettering to front cover and spine. Light shelfwear and light lean to spine. Owner's name to front free end page. Text clean, binding strong. [Our rating system: 1. Fine; 2. Near Fine; 3. Very Good; 4. Good; 5. Fair.].

New York: Macmillan Co, 1925. Very Good. Later. Very good. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

1 . Hardcover. Very Good. 1st ed. L.(Grant Richards) 1909. Covers a little stained else vg.

Kessinger Publishing, LLC, 2010-09-10. Paperback. Good.

Jonathan Cape, London, 1927. First thus. Hardcover. Good Condition/No Dust Jacket. Previous owner's name on first page. Outer boards are clean and bright. Moderate age and reading wear. 296 pages. Endpapers browned, text has scattered foxing, but mostly clean. No torn or missing pages.. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Fiction; Literature & Literary. Pictures of this item not already displayed here available upon request. Inventory No: 50908. .

HardPress Publishing, 2012-08-01. Paperback. Good.

New.

London: T. Nelson and Sons, n.d.. 1st. hardback. Very good, probable first edition, no d/j, red impressed cloth boards, gilt spine titling bright (but spine slightly faded); text block fairly good, pages unmarked.. 18mo (170 x 100 / 6_"" x 4""). Sometimes an actor hesitated for his lines, forgot a few words, or improvised others. He drew in his breath sharply, whenever this happened, it was like a false note in music, but he knew that he was the only person there who felt the discord. He found himself admiring the address of these actors they had nerve they carried on the play, though their memories were a whirl of old tags all jumbled together. It was when there was a pause in the action, through delay at an entrance, that the harrow drove over his soul; for in the silence, at the end of it, when those who wanted to cough had coughed, there sometimes came a single half-hearted clap, more damning than a hiss. At those times he longed to be on the stage crying out to the actors how much he admired… Read More

Kessinger Publishing, LLC, 2006-05-26. Paperback. Used:Good.

Kessinger Publishing, LLC, 2006-05-26. Paperback. Good.

New.

Paperback / softback. New.