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She Animates: Soviet Female Subjectivity in Russian Animation Paperback - 2020
by Lora Mjolsness; Michele Leigh
Details
- Title She Animates: Soviet Female Subjectivity in Russian Animation
- Author Lora Mjolsness; Michele Leigh
- Binding Paperback
- Pages 230
- Volumes 1
- Language ENG
- Publisher Academic Studies Press
- Date 2020-11-03
- Illustrated Yes
- Features Bibliography, Illustrated
- ISBN 9781644690666 / 1644690667
- Weight 0.72 lbs (0.33 kg)
- Dimensions 9.21 x 6.14 x 0.48 in (23.39 x 15.60 x 1.22 cm)
-
Themes
- Cultural Region: Russian
- Sex & Gender: Feminine
- Library of Congress subjects Women motion picture producers and directors, Animated films - Soviet Union - History and
- Library of Congress Catalog Number 2020024595
- Dewey Decimal Code B
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She Animates: Gendered Soviet and Russian Animation (Film and Media Studies)
by Mjolsness, Lora; Leigh, Michele
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She Animates : Soviet Female Subjectivity in Russian Animation
by Leigh, Michele; Mjolsness, Lora
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She Animates: Gendered Soviet and Russian Animation
by Lora Mjolsness
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Paperback / softback. New. Showcases the accomplishments and triumphs of women in Russian animation and reveals their past contributions to not only animation, but also world cinema. Through archival research, historical analysis, and close readings of animated films this book recuperates the often-overlooked contributions women made to Russian animation.
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She Animates: Soviet Female Subjectivity in Russian Animation
by Mjolsness, Lora/ Leigh, Michele
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She Animates: Gendered Soviet and Russian Animation
by Lora Mjolsness, Michele Leigh
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Academic Studies Press, 2020. New Book. Paperback. 230 pp. She Animates examines the work of twelve female animation directors in the Soviet Union and Russia, who have long been overlooked by film scholars and historians. Our approach examines these directors within history, culture, and industrial practice in animation. In addition to making a case for including these women and their work in the annals of film and animation history, this volume also makes an argument for why their work should be considered part of the tradition of women's cinema. We offer textual analysis that focuses on the changing attitudes towards both the woman question and feminism by examining the films in light of the emergence and evolution of a Soviet female subjectivity that still informs women's cinema in Russia today.
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She Animates: Gendered Soviet and Russian Animation (Film and Media Studies)
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