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Paperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; This Companion surveys women's work as composers, performers, educators and music technologists and how it has evolved since 1900. It considers the impact of gender on women's participation in the musical profession, including access to
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The Cambridge Companion to Women in Music Since 1900 Paperback - 2021
by Laura Hamer (Editor)
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- Title The Cambridge Companion to Women in Music Since 1900
- Author Laura Hamer (Editor)
- Binding Paperback
- Pages 320
- Volumes 1
- Language ENG
- Publisher Cambridge University Press
- Date 2021-05-06
- Features Bibliography
- ISBN 9781108455787 / 1108455786
- Weight 1.25 lbs (0.57 kg)
- Dimensions 9.61 x 6.69 x 0.74 in (24.41 x 16.99 x 1.88 cm)
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- Choice, 06/01/2022, Page 0
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The Cambridge Companion to Women in Music since 1900
by Edited by Laura Hamer
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The Cambridge Companion to Women in Music since 1900
by Edited by Laura Hamer
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Cambridge University Press, 2021. Paperback. New. 320 pages. 9.75x6.75x0.75 inches.
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The Cambridge Companion to Women in Music since 1900
by Laura Hamer
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Paperback / softback. New. This Companion surveys women's work as composers, performers, educators and music technologists and how it has evolved since 1900. It considers the impact of gender on women's participation in the musical profession, including access to training, gendered criticism, sexualization, and notions of 'appropriate' musical roles.
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The Cambridge Companion to Women in Music since 1900
by Hamer, Laura
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THE CAMBRIDGE COMPANION TO WOMEN IN MUSIC SINCE 1900 (CAMBRIDGE COMPANIONS TO MUSIC) by Hamer, Laura
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ISBN: "9781108455787Cambridge University Press 06 May 2021
Paperback 356 pages
This Companion explores women's work in music since 1900 across a broad range of musical genres and professions, including the classical tradition, popular music, and music technology. The crucial contribution of women to music education and the music industries features alongside their activity as composers and performers. The book considers the gendered nature of the musical profession, in areas including access to training, gendered criticism, sexualization, and notions of 'gender appropriate' roles or instruments. It covers a wide range of women musicians, such as Marin Alsop, Grace Williams, Billie Holiday, Joni Mitchell and Adele. Each thematic section concludes with a contribution from a practitioner in her own words, reflecting upon the impact of gender on her own career. Chapters include suggestions for further reading on each of the topics covered, providing an invaluable resource for students of Feminist… Read More
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