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Home on the Stage Paperback - 2018

by Nicholas Grene


Details

  • Title Home on the Stage
  • Author Nicholas Grene
  • Binding Paperback
  • Pages 252
  • Volumes 1
  • Language ENG
  • Publisher Cambridge University Press
  • Date 2018-02-08
  • ISBN 9781107434998 / 1107434998
  • Weight 0.76 lbs (0.34 kg)
  • Dimensions 9 x 6 x 0.53 in (22.86 x 15.24 x 1.35 cm)
  • Themes
    • Aspects (Academic): Theatrical Aspects
  • Dewey Decimal Code 792.09
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Home on the Stage: Domestic Spaces in Modern Drama

Home on the Stage: Domestic Spaces in Modern Drama

by Grene, Nicholas

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HOME ON THE STAGE

by GRENE

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Home on the Stage

by Nicholas Grene

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Home on the Stage: Domestic Spaces in Modern Drama

Home on the Stage: Domestic Spaces in Modern Drama

by Nicholas Grene

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Paperback / softback. New. Ibsen's A Doll's House established a theatrical politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene analyses the full significance of home on the stage in nine major plays, from Chekhov's The Cherry Orchard to Parks' Topdog/Underdog.
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Home on the Stage: Domestic Spaces in Modern Drama

by Nicholas Grene

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Cambridge University Press, 2018. Paperback. New. 1st reprint edition. 252 pages. 8.75x6.00x0.50 inches.
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Home on the Stage

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HOME ON THE STAGE

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Home on the Stage: Domestic Spaces in Modern Drama

by Grene, Nicholas

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HOME ON THE STAGE: DOMESTIC SPACES IN MODERN DRAMA by Grene, Nicholas

HOME ON THE STAGE: DOMESTIC SPACES IN MODERN DRAMA by Grene, Nicholas

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ISBN: "9781107434998
Cambridge University Press,  08 February 2018
Paperback, 252 pages
As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams' A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in… Read More
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