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David Hammons: Body Prints, 1968-1979 Paperback -
by David Hammons (Artist); Introduction by Laura Hoptman; Linda Goode Bryant (Interviewer)
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- Title David Hammons: Body Prints, 1968-1979
- Author David Hammons (Artist); Introduction by Laura Hoptman; Linda Goode Bryant (Interviewer)
- Binding Paperback
- Pages 144
- Volumes 1
- Language ENG
- Publisher Drawing Center
- ISBN 9780942324419 / 0942324412
- Weight 0.65 lbs (0.29 kg)
- Dimensions 8.9 x 5.9 x 0.5 in (22.61 x 14.99 x 1.27 cm)
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Stock Photo: Cover May Be Different
DAVID HAMMONS BODY PRINTS, 1968-1979THE DRAWING CENTER
by LAURA HOPTMAN, LINDA GOODE BRYANT, SENGA NENGUDI, BRUCE W. TALAMON
- Used
- near fine
- Paperback
- Condition
- Used - Near fine
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780942324419 / 0942324412
- Quantity Available
- 1
- Seller
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Seattle, Washington, United States
- Item Price
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€47.18€4.72 shipping to USA
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Description:
New York: THE DRAWING CENTER, 2021. Paperback. Near fine. DAVID HAMMONS BODY PRINTS, 1968-1979THE DRAWING CENTER with text by LAURA , LINDA GOODE BRYANT, SENGA NENGUDI, BRUCE W. TALAMON. 59 reproductions. Paper with stiff coveHOPTMANr. Near fine.
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€47.18
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Davcid Hammons: Body Prints, 1968-1979
by LAURA HOPTMAN, LINDA GOODE BRYANT, SENGA NENGUDI, BRUCE W. TALAMON
- Used
- as new
- Paperback
- Condition
- As new
- Binding
- Paperback
- ISBN 10 / ISBN 13
- 9780942324419 / 0942324412
- Quantity Available
- 1
- Seller
-
Seattle, Washington, United States
- Item Price
-
€49.07€4.72 shipping to USA
Show Details
Description:
New York: THE DRAWING CENTER, 2021. Paperback. As new. Davcid Hammons: Body Prints, 1968-1979 the catalog for his show at THE DRAWING CENTER IN NYC. Body Prints, 19681979 brings together the monoprints and collages in which the artist used the body as both a drawing tool and printing plate to explore performative, unconventional forms of image-making. Hammons created the body prints by greasing his own bodyor that of another personwith substances including margarine and baby oil, pressing or rolling body parts against paper, and sprinkling the surface with charcoal and powdered pigment. The resulting impressions are intimately direct indexes of faces, skin and hair that exist somewhere between spectral portraits and physical traces. Hammons body prints represent the origin of his artistic language, one that has developed over a long and continuing career and that emphasizes both the artifacts and subjects of contemporary Black life in the United States. More than a half century after they…
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