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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976
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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976 Paperback - 2009

by Norman L. Kleeblatt (Editor); Contribution by Debra Bricker Balken; Contribution by Caroline A. Jones


From the publisher

The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate?

Drawing on recent critical, historical, and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement. It also presents an extensive commentary on the two most influential critics of postwar American art--Clement Greenberg and Harold Rosenberg--whose powerful views shaped perceptions of Abstract Expressionism and other contemporary art movements. In one essay, Norman L. Kleeblatt traces the influence of Abstract Expressionism into the mid-1970s and examines its connection to subsequent art styles. Other essays range from the literary and intellectual culture of New York during that period and an analysis of sculpture and representation to a discussion of Jewish issues in relation to postwar American Art. In addition, the book features a magisterial essay by eminent critic Irving Sandler and a copiously illustrated cultural timeline by Maurice Berger.

Published in association with The Jewish Museum, New York


Exhibition Schedule:

The Jewish Museum, New York (May 4, 2008 - September 21, 2008)

Saint Louis Art Museum (October 19, 2008 - January 11, 2009)

The Albright-Knox Art Gallery, Buffalo (February 13 - May 31, 2009)

Details

  • Title Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976
  • Author Norman L. Kleeblatt (Editor); Contribution by Debra Bricker Balken; Contribution by Caroline A. Jones
  • Binding Paperback
  • Edition First Edition
  • Pages 344
  • Volumes 1
  • Language ENG
  • Publisher Yale University Press, New York/New Haven
  • Date 2009-08
  • Illustrated Yes
  • ISBN 9780300139204 / 0300139209
  • Weight 4.5 lbs (2.04 kg)
  • Dimensions 11.7 x 9.8 x 1 in (29.72 x 24.89 x 2.54 cm)
  • Themes
    • Chronological Period: 1940's
    • Chronological Period: 1950's
    • Chronological Period: 1960's
    • Chronological Period: 1970's
  • Library of Congress subjects Art, American - 20th century, Abstract expressionism - United States
  • Library of Congress Catalog Number 2007046613
  • Dewey Decimal Code 709.730

About the author

Norman L. Kleeblatt is Susan and Elihu Rose Chief Curator at The Jewish Museum. Debra Bricker Balken is an art scholar and independent curator. Maurice Berger is Senior Research Scholar at the Center for Art, Design, and Visual Culture at the University of Maryland Baltimore County. Morris Dickstein is Distinguished Professor of English at the Graduate Center of the City University of New York. Douglas Dreishpoon is Senior Curator at the Albright-Knox Art Gallery in Buffalo, New York. Charlotte Eyerman is Curator of Modern and Contemporary Art at the Saint Louis Art Museum. Mark Godfrey is curator at the Tate Modern in London. Caroline A. Jones, Professor of Art History at the Massachusetts Institute of Technology. Irving Sandler is Professor Emeritus at the State University of New York at Purchase and a Visiting Professor at Hunter College.

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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976
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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976

by Kleeblatt, Norman L.; Berger, Maurice

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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976

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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976 (Jewish Museum)
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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976 (Jewish Museum)

by Maurice Berger; Editor-Norman L. Kleeblatt; Contributor-Debra Bricker Balken; Contributor-Caroline A. Jones; Contributor-Irving Sandler; Contributor-Charlotte Eyerman; Contributor-Douglas Dreishpoon; Contributor-Morris Dickstein; Contributor-Mark Godfrey

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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976
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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976

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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976

Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976

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New Haven CT: Yale University Press, 2009. 1st. Hardcover. Very Good/Very Good. Hardcover, 344 pages. The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate? Drawing on recent critical, historical and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement. Record # 361953
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