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Boredom: The Literary History of a State of Mind
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Boredom: The Literary History of a State of Mind Hardcover - 1995

by Patricia Meyer Spacks


From the publisher

This book offers a witty explanation of why boredom both haunts and motivates the literary imagination. Moving from Samuel Johnson to Donald Barthelme, from Jane Austen to Anita Brookner, Spacks shows us at last how we arrived in a postmodern world where boredom is the all-encompassing name we give our discontent. Her book, anything but boring, gives us new insight into the cultural usefulness--and deep interest--of boredom as a state of mind.

First line

As action and as product, writing resists boredom, constituting itself by that resistance.

From the rear cover

As malady or inspiration, boredom looms large in our culture. Forever egging the writer on to new feats of interest, new forms of poetry, new, more engrossing ideas and creations, boredom both haunts and motivates the literary imagination. This book offers a witty literary explanation of why this should be. Investigating boredom's imaginative functions during the last two and a half centuries, Patricia Meyer Spacks reveals the shifting cultural purposes served by this often lamented state. The figure of the "bore" entered the language in the eighteenth century, marking, Spacks suggests, a significant cultural shift. Until then boredom, though not explicitly classified as a sin, was to be strenuously resisted by spiritual endeavor. With the coming of the "bore", however, the responsibility for boredom shifted from the bored observer to whatever failed to hold his or her interest. Progress should banish boredom by making life more stimulating. What such a move meant, in society as well as literature, becomes clear in the astonishing range of fiction, poetry, conduct books, letters, and historical and sociological documents Spacks surveys. Here we see how the idea of boredom - as a point of reference or focus of opposition, as a means of characterization, repudiation, or definition, as social indictment or personal grievance - condenses a wide range of crucial meanings and attitudes. From the gendering of boredom (how women's lives came to embody both the threat of boredom and its overthrow) to canon issues (how "boring" becomes "interesting" with a sympathetic reader), the implications of the subject steadily enlarge. Moving from Samuel Johnson to Donald Barthelme, from Jane Austen toAnita Brookner, Spacks shows us at last how we arrived in a post-modern world where boredom is the all-encompassing name we give to our discontent. Her book, anything but boring, gives us new insight into the cultural usefulness - and deep interestof boredom as a state of mind.

Details

  • Title Boredom: The Literary History of a State of Mind
  • Author Patricia Meyer Spacks
  • Binding Hardcover
  • Edition First Edition
  • Pages 304
  • Volumes 1
  • Language ENG
  • Publisher University of Chicago Press, Chicago, Illinois, U.S.A.
  • Date February 7, 1995
  • ISBN 9780226768533 / 0226768538
  • Weight 1.3 lbs (0.59 kg)
  • Dimensions 9.23 x 6.31 x 0.94 in (23.44 x 16.03 x 2.39 cm)
  • Themes
    • Cultural Region: British
  • Library of Congress subjects English literature - History and criticism, Boredom in literature
  • Library of Congress Catalog Number 94017109
  • Dewey Decimal Code 820.935

Media reviews

Citations

  • Booklist, 01/01/1995, Page 795
  • Kirkus Reviews, 09/15/1994, Page 1257
  • Library Journal, 10/01/1994, Page 81
  • NY Times Notable Bks of Year, 01/01/1995, Page 80
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Boredom: The Literary History of a State of Mind
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