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The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590
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The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590 Paperback - 1993

by Norbert Huse; Edmund Jephcott (Translator); Wolfgang Wolters (With)


From the publisher

In the first contemporary single-volume survey of the three arts of Venice painting, sculpture, and architecture Norbert Huse and Wolfgang Wolters offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian art. They begin their study in 1460, when Venice was one of the key powers of Italy, and end with the death of Tintoretto in 1594, a period of waning international power. In the process, they define the distinctly Venetian terms by which the city and its culture should be understood. With over three hundred illustrations and an exhaustive bibliography, this volume makes an impressive contribution to art historical scholarship.
"The historical aspect of this book is splendid, but where it excels is in its fearless and thought-provoking critical judgements. . . . it will lead both beginners and experts to new joys." David Ekserdjian, "Times Literary Supplement" "

First line

In 1500 the Nuremberg merchant Anton Kolb published a "large format" woodcut by Jacopo de' Barbari showing a bird's-eye view of Venice ( figs. 10, 25, 26, 100 ).

Details

  • Title The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590
  • Author Norbert Huse; Edmund Jephcott (Translator); Wolfgang Wolters (With)
  • Binding Paperback
  • Pages 390
  • Volumes 1
  • Language ENG
  • Publisher University of Chicago Press, Chicago, Illinois, U.S.A.
  • Date October 30, 1993
  • Illustrated Yes
  • ISBN 9780226361093 / 0226361098
  • Weight 3 lbs (1.36 kg)
  • Dimensions 10.59 x 8.26 x 1.1 in (26.90 x 20.98 x 2.79 cm)
  • Dewey Decimal Code 709.45
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The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590
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The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590

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The Art of Renaissance Venice : Architecture, Sculpture, and Painting, 1460-1590

The Art of Renaissance Venice : Architecture, Sculpture, and Painting, 1460-1590

by Norbert Huse; Wolfgang Wolters

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The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590
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The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590

by Norbert Huse; Wolfgang Wolters; Translator-Edmund Jephcott

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The Art of Renaissance Venice : Architecture, Sculpture, and Painting, 1460-1590
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The Art of Renaissance Venice : Architecture, Sculpture, and Painting, 1460-1590

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The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590
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The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590
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The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590
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by Huse, Norbert; Wolters, Wolfgang; Trans. Edmund Jephcott

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The Art of Renaissance Venice : Architecture, Sculpture, and Painting, 1460-1590
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The Art of Renaissance Venice : Architecture, Sculpture, and Painting, 1460-1590

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The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590

The Art of Renaissance Venice: Architecture, Sculpture, and Painting, 1460-1590

by Huse, Norbert; Wolters, Wolfgang

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University Of Chicago Press, 1993 4to (27 cm), VIII, 382 pp. Laminated wrappers. "In the first contemporary single-volume survey of the three arts of Venice--painting, sculpture, and architecture--Norbert Huse and Wolfgang Wolters offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian art. They begin their study in 1460, when Venice was one of the key powers of Italy, and end with the death of Tintoretto in 1594, a period of waning international power. In the process, they define the distinctly Venetian terms by which the city and its culture should be understood. With over three hundred illustrations and an exhaustive bibliography, this volume makes an impressive contribution to art historical scholarship."
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