William Dobell

Thames & Hudson, UK, 1964. First Edition. Hardcover. Very Good Condition/Very Good. Signed by Author. Signed by Gleeson and Dobell Size: 4to Quarto (11 to 13 inches). Binding tight, covers & spine fully intact. Light foxing / browning to front/rear pages, text pages clean. Dust Jacket price-clipped. Minor marks & wear to boards and jacket.… Read more about this item

Thames & Hudson Ltd. Fair in Good dust jacket. 1969. Revised Edition. Hardcover. 0500180970 . Reading copy, an ex library hardback with the usual stamps & stickers, no inscriptions, in a bright unclipped dustjacket which has a little loss of laminate at the top & bottom edges. 216 pages, 133 illustrations, including 26 in colour, bibliography, index… Read more about this item

Thames & Hudson, 1964. First Edition. Hardcover (Original Cloth). Very Good Condition/Very Good. Signed by Author and Illustrator. Signed by William Dobell and James Gleeson. Size: Large Book - between A4 and A3. 208 pages. Text body is clean, and free from previous owner annotation, underlining and highlighting. Binding is tight, covers and spine fully… Read more about this item

London: Thames and Hudson, 1964. Book. Good. Hardcover. First Edition. 230mm x 280mm. Clipped Jacket has light general wear and no tears. Foxing to top edge of page-block. Tape stains to pastedowns and feps. Light foxing to preliminaries and last few pages. Otherwise internally clean. Binding tight. 208pp THIS IS THE LARGE HARD COVER EDITION.

London, Thames and Hudson, 1964.. First Edition; 4to; pp. 208; coloured frontispiece, 32 coloured tipped in plates, 118 illustrations in monochrome, list of principle exhibitions, bibliography; original blue cloth, title lettered in gilt on spine, gilt decoration on front board, chipped dustjacket on spine and corners, otherwise a very good copy.

London, Thames and Hudson, 1964.. First Edition; 4to; pp. 208; coloured frontispiece, 32 coloured tipped in plates, 118 illustrations in monochrome, list of principle exhibitions, bibliography; original blue cloth, title lettered in gilt on spine, gilt decoration on front board, dustjacket , page edges a little dusty otherwise a very good copy.

London: Thames and Hudson, 1964. Hardcover. Very good+/Good. Gilt stamped blue cloth boards in dust jacket, quarto [9" x 11"], illustrated with color tipped in plates and b&w images. Book gently rubbed and toned at boards, binding tight, previous owner's stamp to front flyleaf, otherwise text clean and unmarked but gently toned throughout. DJ has soil and rubbing,… Read more about this item

London: Thames and Hudson. Very Good in Very Good dust jacket. 1964. First Edition. Hard Cover. 208pp; 32 colour plates and 118 illustrations in monochrome. Blue boards, previous owner's inscription to front endpaper. ; 280 x 230mm .

Thames and Hudson, London, 1964. First Edition. Hardcover (Original Cloth). Very Good Condition/Good. Illustrator: William Dobell. introduction by author, acknowledgements, list of plates, catalogue, principal exhibitions and bibliography. Colour illustrated frontispiece, tipped in, showing the eighth version of the portrait of a Helena Rubinstein – 1963. The text is illustrated with 31 coloured plates, also… Read more about this item

London: Thames & Hudson, 1965. Second impression. Hardcover. Very good. 4to. 208pp + ills + tipped in color plates throughout. VG. dj.

London: Thames & Hudson, 1964. 1st edition. Nice copy. quarto. hardback with dust jacket 208pp., colour frontis., colour & b/w plates, bibliog., With 32 fine tipped-in colour plates. Very nice copy in blue cloth boards in a very nice unclipped dust jacket

London: Thames & Hudson, 1964. 1st edition. Nice copy. quarto. hardback with dust jacket 208pp., frontis., col. & b/w pls., catalogue, bibliog., Neat ownership signature o/w nice bright copy with tipped-in colour plates

Lond. Thames & Hudson., 1964.. Col.ill.bds. Dustjacket (some soiling and tearing). 208pp. b/w plates. Inscribed and signed by author on title page. Sl. foxing, else Very Good copy. Chronicles the works of the Australian artist.

London: Thames and Hudson, 1965. Book. Good. Hardcover. Second Impression. 230mm x 280mm. Clipped jacket has moderate general wear and some foxing. A couple of scratches to rear of jacket Light wear to cloth Moderate foxing to edges of page-block. Some scattered internal foxing but generally clean. Tipped-in colour plates in good order. Binding tight. 208pp THIS IS THE LARGE… Read more about this item

London: Thames & Hudson, 1965. 2nd imp.. Near Fine. quarto. hardback with dust jacket 208pp., frontis., col. & b/w pls., catalogue, bibliog., Nice bright copy with tipped-in colour plates

London: Thames and Hudson Ltd, 1969. paperback. very good. 5 3/4 x 8 1/8" 216 pages. part of The World of Art Library Artists. light creasing to covers, small previous owner's name on first page.

London: Thames & Hudson, 1965. 2nd imp.. Fine. quarto. hardback with dust jacket 208pp., frontis., col. & b/w pls., catalogue, bibliog., Nice bright copy with tipped-in colour plates

Thames & Hudson London & New York 1964 (first edition - large format) . 29.0 x 23.0cms, 208pp, 118 b/w & 32 tipped-in colour illusts Very Good hardback & dustwrapper (owner's inscription, owner's stamp) Gleeson argues that Dobell achieved 'greatness while standing aloof from avant-garde developments' and that he was an artist whose 'unmistakably personal style ...perfectly… Read more about this item

Thames & Hudson London & New York 1964 (first edition - large format) . 29.0 x 23.0cms, 208pp, 118 b/w & 32 tipped-in colour illusts, very good hardback & dustwrapper (Dobell's signature, Gleeson's signature)) Gleeson argues that Dobell achieved 'greatness while standing aloof from avant-garde developments' and that he was an artist whose 'unmistakably personal style ...perfectly… Read more about this item

Thames & Hudson London & New York 1969 Revised Edition (orig Publ. 1964) . 21.0 x 14.5cms, 216pp, 107 b/w & 26 Colour Illusts Very Good- paperback (World Of Art Series) Gleeson argues that Dobell achieved 'greatness while standing aloof from avant-garde developments' and that he was an artist whose 'unmistakably personal style ...perfectly expresses the many facets of… Read more about this item