Dictionary Of Australian Artists

Oxford / New York: Oxford University Press, 1993. Hardcover. VG (ex-museum library w/ ID to lower spine, plate to cover pastedown, pencil IDs to title pg & discard-marked barcode to back pastedown. edge-wear to lower boards, rubbing to corners. light marks & smudges to boards. scratches to lower textblock.). dark teal boards w/ quarter white spine; dark teal… Read more about this item

Sydney: University of Sydney, 1984. Working paper 1: painters, photographers and engravers 1770-1870 A-H. Edited by Joan Kerr. Pp. xvi+384(processed, last blank), indices; med. 8vo; printed glazed paper wrappers, faintly scuffed, edges a trifle rubbed; edges of leaves faintly soiled; Power Institute of Fine Arts, University of Sydney, Sydney, 1984. Power Institute Publications 2.

Oxford University Press Melbourne 1992 . 27.0 x 19.5cms, 890pp, b/w Illusts Very Good+ hardback & cover This book redefines 'Australian art' to include the amateurs and artists who worked in hitherto ignored or despised categories. And in the process, it overthrows the standard definition of 'colonial art' as the sole province of Anglocentric male painters. Its list of… Read more about this item

Oxford University Press Melbourne 1992 . 27.0 x 19.5cms, 890pp, b/w Illusts Very Good+ hardback & cover This book redefines 'Australian art' to include the amateurs and artists who worked in hitherto ignored or despised categories. And in the process, it overthrows the standard definition of 'colonial art' as the sole province of Anglocentric male painters. Its list of… Read more about this item

Oxford University Press Melbourne 1992 . 27.0 x 19.5cms, 890pp, b/w Illusts Very Good hardback & cover (owner's signature) This book redefines 'Australian art' to include the amateurs and artists who worked in hitherto ignored or despised categories. And in the process, it overthrows the standard definition of 'colonial art' as the sole province of Anglocentric male painters. Its… Read more about this item