Description:
New York: Chandler-Ebel, 1911. Paperback. Fair. Small octavo. Illustrated wrappers. 246 pp. Wrappers worn Outer edges browned.
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Handbook of Music and Biographical Dictionary. Containing Concise Sketches of over 2000 Prominent Composers and Explanations of more than 3000 Musical Terms
by EBEL, Otto
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Laudes [Solo organ]
by EBEN, Petr 1929-2007
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Praha: Panton [P 1549], 1975. Good. Quarto. Wrappers. 40 pp. Registration in Czech, German, and English. Slightly worn and browned. Second edition.
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Portrait engraving. Ca. 1580
by EBER, Paul 1511-1569
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Half-length. Within ornamental border. 145 x 90 mm. Slightly browned; minor remnants of former mount and small circular collector's handstamp to verso ("W"). Collector's stamp not in Lugt. Bach used stanza 6 of Eber's New Year Hymn for the final four-part chorale of his Cantata 16, "Herr, Gott, dich loben wir" and set other Eber hymns in his Cantatas 28, 127, and 130.
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Missale Romanum im Mittelalter iter Italicum
by EBNER, Adalbert
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Graz: Akademische Druck - U. Verlagsanstalt, 1957. Hardcover. Fine. Octavo. Boards. 487 pp.
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Jacob Eckhard's Choirmaster's Book of 1809 A Facsimile with Introduction and Notes by George W. Williams Historiographer, St. Michael's Church
by [ECKHARD]. Williams, George W.
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Columbia, South Carolina: University of South Carolina Press, 1971. Quarto. Original publisher'sgray textured paper boards. xvi, 124 pp., 1f. (blank), 1f. (recto colophon, verso blank).
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Piano Music for One Hand
by EDEL, Theodore
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Bloomington and Indianapolis: Indiana University Press, 1994. Hardcover. Very Good. Octavo. Full dark ivory cloth with titling purple to spine. viii, 121 pp. With occasional musical examples. With inscription to noted American pianist Jacob Lateiner (1928-2010) to front free endpaper. In dustjacket.
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Oversize cabinet card photograph of the noted Broadway comic actor and stage manager
by EDESON, George R. d. 1899
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No binding. Very Good. Large full-length photographic portrait. St. Paul, T.M. Swem, photographer. Ca. 248 x 173 mm. Lacking portion of upper left corner, with amateur repair to verso; several small perforations at corners; some bumping and soiling; signature (not autograph) of Edeson in purple ink to foot of mount.
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Dolly Varden Comic Opera in Two Acts Book & Lyrics by Stanislaus Stangé. [Piano-vocal score]
by EDWARDS, Julian 1855-1910
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n.p.: M. Witmark [PN 4524], 1901. Quarto. Full brown cloth with titling in white to spine. [i] (title), [i] (contents), 5-198 pp. With occasional performance notes in pencil. Binding slightly worn; ex-library, with call number and labels taped to spine; de-accession handstamp and library labels laid down to front free endpaper; library handstamp to first page of music and to one additional page. Probable First Edition.
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The Princess Chic Opera Comique in Three Acts. Book by Kirke La Shelle. [Piano-vocal score]
by EDWARDS, Julian 1855-1910
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New York , Chicago, London, Paris, Leipzig, Toronto: M. Witmark [PN 3222], 1900. Quarto. Full dark blue cloth boards with titling in gilt to upper and spine. [i] (title), [i] (blank), [i] (characters and setting), [i] (contents), 239, [i] (blank) pp. First Edition. An English conductor and composer, Edwards worked mainly as a conductor of operettas and composed a number of his own.
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When Johnny Comes Marching Home Three Act Military Spectacular Comic Opera Book and Lyrics by Stanislaus Stangé. [Piano-vocal score]
by EDWARDS, Julian 1855-1910
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New York - Chicago - San Francisco - London - Paris - Leipzig: M. Witmark [PN 4943], 1902. Quarto. Full dark blue cloth boards with titling gilt to upper and spine. [1] (title), [2] (blank), [3] (named cast list), [4] (contents), 5-232 pp. Boards slightly worn and rubbed. Occasional small chips to edges; one leaf with tear to upper margin repaired. First Edition.
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The Girl and the Governor Under the Direction of Frank McKee Book & Lyrics by S. M. Brenner. [Piano-vocal score]
by EDWARDS, Julian 1855-1910
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New York - Chicago - London - Vienna/Leipzig - San Francisco - Toronto: M. Witmark [PN 7636], 1906. Quarto. Black cloth boards with titling gilt to upper and spine, original publisher's illustrated wrappers bound in. [1] (title), [2] (blank), [3] (original cast), [4] (contents), 5-230, [ii] (blank) pp. Boards slightly worn and rubbed. First Edition. Scarce.
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The Invisible Fire. Autograph musical sketch and fragment of typed libretto of an oratorio based on the life of John Wesley, with autograph annotations
by EFFINGER, Cecil 1914-1990
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[?Boulder, Colorado], 1957. Small folio (236 x 332 mm.). One leaf. Notated in pencil on both sides of a leaf of pre-printed 12-stave "Facsimile score paper" issued by Music Print Corporation, Denver. Most probably associated with p. 76 of the printed piano-vocal score of the work. Three staves per system (Wesley's vocal part, notated in G clef, with text underlay; piano accompaniment). Cue in blue pencil, "Wesley[:] O that in me the sacred fire," and reference, "P. 76," to head of recto. Music ends after 25 measures on lower half of verso, followed by "etc." and reference, "p. 76." Date to foot of recto. With: Fragment of libretto of The Invisible Fire. Three typed leaves, stapled, with text to rectos only. Fragment beginning with Part II of the oratorio and ending in the middle of Part V; text of Part I and from the middle of Part V lacking. Autograph note in red pencil to upper left corner of first page: "Send to Cassilly." With numerous autograph annotations in blue pencil indicating division…
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Postcard photograph signed, inscribed to the Colombian musicologist Otto de Greiff, and dated 1969
by EGK, Werner 1901-1983
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A German composer and pupil of Carl Orff, "between 1927 and 1929 Egk established contact with Kurt Weill, Hans Flesch, Bertolt Brecht and Erwin Piscator. The dramatic works that followed, for which Egk often served as his own librettist, embrace a range of genres from marionette theatre... to radio documentary." Andrew D. McCredie in Grove Music Online.
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La Tentation de Saint Antoine d'après des airs et des vers du 18e siècle pour alto, quatuor à cordes et orchestre à cordes. [Study score]
by EGK, Werner 1901-1983
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Mainz: B. Schott's Söhne [B.S.S 37095a; 4559], 1956. Paperback. Good. Octavo. Wrappers. 1f., 72 pp. From the collection of noted musicologist Stanley Boorman, with his signature to upper. Wrappers somewhat worn at spine. Moderately browned.
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Ez a világ [a millyen nagy]: Dalok zongora kisérettel - Gesänge mit Fortepianobegleitung
by EGRESSY, Béni 1814-1851
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Pesten: Rózsavölgyi és Társá [PN R & C. No 317], 1860. Folio. Disbound. [1] (collective title "Dalok - Gesänge"), 2-5, [i] (blank) pp. Engraved. Light soiling to edges and corners; impression occasionally faint; final leaf detached. An early edition. Mona 1297. Scarce (no copies located in the U.S. or U.K.). "With his songs and dances for the theatre in particular, he soon found wide popularity throughout the country and came to be regarded as a pioneer of the Hungarian national popular song and csárdás." Ferenc Bónis in Grove Music Online.
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Telemaque a Grand Ballet as Performed at the Kings Theatre Hay-Market Composed by J. D'Egville. The music Composed and Compiled by D'Egville & Bossi. [Piano score]
by EGVILLE, James d' fl. 1782-?1827 and Cesare BOSSI ?-1802
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London: Broderip & Wilkinson, 1799. Folio. Newly bound in full brown linen with printed paper title label to spine. 1f. (title), [1] (blank), 2-39 pp. Engraved. First Edition. BUC p. 313. RISM E499. Telemaque was first performed at the King's Theatre on 27 March 1799, receiving 24 performances. The dancers included D'Egville, Didelot and Hilligsberg. Smith 191. The music draws from Haydn, Pleyel, Sacchini, Gluck, and others. Both D'Egville and Bossi were engaged by the King's Theatre as choreographer and composer/arranger respectively. While D'Egville is credited along with Bossi with the present ballet, it is most likely that Bossi was largely responsible for the music with D'Egville responsible for the choreography. The ballet itself was a reworking of d'Abuberval's ballet of the same name.
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Briefe über Musik an eine Freundin
by EHLERT, Louis 1825-1884
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Berlin: J. Guttentag, 1859. Octavo. Plain light brown boards. 1f. (recto title, verso copyright), 166 pp. Bookplate of Paul v. Lowenberg and small oval label of Dr. Emanuel Popper to front pastedown. Binding slightly worn, rubbed, bumped, and stained; minor offsetting of bookplate to free front endpaper. Occasional foxing; title slightly stained. The author, a pupil of both Schumann and Mendelssohn, addresses these "letters" to "a lady," discussing the music of Beethoven, Mendelssohn, Schubert, and Schumann at some length.
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Briefe über Musik an eine Freundin ... Dritte Auflage
by EHLERT, Louis 1825-1884
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Berlin: B. Behr's Buchhandlung (E. Bock), 1879. Small quarto. Highly decorative royal blue cloth with titling gilt to upper and spine, ivory doublures, all edges gilt. 1f. (recto title, verso quotation and copyright), [v]-vi (author's note), 189, [i] (printer's note), 1f. (recto publisher's advertisement, verso blank). With manuscript quotation from Goethe in a contemporary hand to recto of preliminary leaf signed and dated Berlin, September 15, 1880. Small binder's label to lower inner corner of rear pastedown: "J.R. Herzog Buchbinderei Leipzig." The author was a pupil of both Schumann and Mendelssohn. An attractive example of this prominent Leipzig bookbinder's work.
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Dantons Tod [Study score]: Eine Oper in zwei Teilen (sechs Bildern) frei nach George Büchner. Text eingerichtet von Boris Blacher und Gottfried v. Einem
by EINEM, Gottfried von 1918-1996
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Wien: Universal Edition [UE 13197; UE 11817], 1961. Very Good. Large octavo. Publisher's red leatherette, titling gilt to upper and spine. 2ff., 507 pp. Text in German. From the collection of noted musicologist Stanley Boorman, with his signature to upper verso. Small tear to upper at head of spine. Slight browning to edges. Reduced size reprint of the first edition full score.
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Music in the Romantic Era
by EINSTEIN, Alfred
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New York: Norton, 1947. Hardcover. Very Good. Octavo. Boards. 371 pp.
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