Search Results: the machine as seen at

Museum of Modern Art, 1968. First Edition. Hardcover. Good/None Issued. 9x8x0. Hardcover with metal covers. Owner name to front end page. Otherwise clean and unamrked. Binding strong. Metal spine has some rusting, light wear to covers. Decent copy in good condition. Additional photos available upon request. All of our books are carefully wrapped and shipped in a box.

Museum of Modern Art. Collectible - Good. First edition copy. Collectible - Good. Slightly dampstained. (machine, mechanical age, exhibition )

Used - Good. Used book that is in clean, average condition without any missing pages.

New York: The Museum of Modern Art, 1968. stamped metal covers imprinted with an illustration of the outside of the building housing the Museum in full color. square 8vo. stamped metal covers imprinted with an illustration of the outside of the building housing the Museum in full color. 216, (2) pages. Well-illustrated exhibition catalogue. Very good condition. From the private reference library of Dorothy Sloan with a commemorative bookplate loosely inserted.

New York:: Museum of Modern Art,. 1968.. Sm 4to., 218 pp. .

New York: The Museum of Modern Art, 1968. First Edition. Hardcover. Very Good. 4to. Pp. [2], 3-216. Frontis. Black & white photograph of "Homage to New York," a self-constructing and self-destroying work of art by Jean Tinguely. Laden with black & white photography and illustrations. Notes. Index. Bound in stamped tin boards depicting in color a NYC street scene with MOMA as the centerpiece. Spine just a tad tarnished. Swedish art collector and museum director K. G. Pontus Hulten, (1924-2006), compiled this catalog for the MOMA exhibition, 1968-1969, for which he served as curator. Hulten described the show as a "collection of comments on technology by artists of the Western world," particularly in the modern age when "the mechanical machine - which can most easily be defined as an imitation of our muscles - is losing its dominating position among the tools of mankind; while electronic and chemical devices - which imitate the processes of the brain and the nervous system - are becoming increasingly… Read More

Museum of Modern Art, 1968. hardcover. Like New. 9x1x11. Book is in excellent condition, text is unmarked and pages are tight.

New York: The Museum of Modern Art, 1968. Hardcover. VG- (Contents are clear but for light age toning to textblock and margins; some scuffing to metal covers; otherwise very nice.). Color illus. & stamped metal covers with riveted spinel; 218 pp., profusely illus. in BW. "Offers selections from a Museum of Modern Art exhibition of works by artists of the Western World chosen as being comments on technology. Includes pieces by Calder, Duchamp, Kienholz, Picabia, Stankiewicz, Tinguely, and others, which utilize a variety of objects and materials, some being kinetic or motorized." -- WorldCat.

Generic, 1968T. hardcover. Good. .

Museum of Modern Art, 1968. Hardcover. Fine/No jacket. Embossed metal covers. Light wear.

New York City: The Museum Of Modern Art (Moma), 1968. 1st Edition . Hardcover. Very Good. Photographs Throughout. 218 Pp. Original Stamped Metal Covers, Hinged At Spine, With Colored Illustration Of The Entrance To Moma On Front Panel. Light Wear At Edges, Cover Illustration And Hinges Intact, Discoloration To Metal Spine, 1/4" Area With Slight Waviness At Top Of Front Spine Overlap.

New York: The Museum of Modern Art, 1968. Hinged Metal. 4to. 216 pp. Pressed aluminum binding designed by Anders Osterlin, after photograph by Alicia Legg. Light scuffing to front and rear panels. Light toning to margins throughout. Profusely illustrated exhibition catalogue.

Very Good. First Edition. The Museum of Modern Art 1968. Full color metal covers. Pages clean, unmarked. Metal cover moderately rubbed. Shipped promptly with Tracking. Txbk35

New York, New York: Museum of Modern Art, 1968. Hardcover. Very Good. First edition. Square octavo. 216 [2] pp. Illustrated. Color pictorial metal covers. Covers rubbed and soiled with small stains, very good, lacking the cardboard slipcase.

Museum of Modern Art, 1968-01-01. Hardcover. Like New. 9x8x0. Looks unread shows none of the corrosion or scratches typical of this title. Please email for photos.

New York: Museum of Modern Art, 1968. Square 8vo, pp. 216; grayscale text illustrations throughout; metallic pictorial covers; light toning, else fine. A catalog for the eponymous exhibition.

New York: The Museum of Modern Art, (1968).. (1968).. Very good. - Small quarto [9-1/2 inches high by 8-1/2 inches wide], color printed embossed aluminum boards designed by Anders Osterlin.The rear cover is rubbed & the front cover is lightly rubbed. The spine is rusted. 216 & [2] pages. Profuse illustrations in black, white & blue. There is an owner's inscription on the front endpaper. The page edges are darkened & there is some minor soiling to the fore-edge & top edge. Very good. <p>Published in conjunction with an exhibition which was shown at the Museum of Modern Art, New York City from November 25, 1968 to February 9, 1969, and subsequently toured to Houston and San Francisco.<p>"Historically machines have often been regarded as toys, or agents of magic, marvel, and fantasy....The story of how artists in this century have looked upon and interpreted machines is highly dramatic. Their attitudes have ranged from deepest despair to devotion and even… Read More

New York : The Museum of Modern Art, 1968. 1st. Hardcover. Very Good/None. 216 pages. Metal cover. Many b&w illustrations throughout. A nice, clean copy. Record # 853206

New York: Museum of Modern Art, 1968. hardcover. very good(+). Illustrated with black & white photographic illustrations. 216 pages. Short square 4to, embossed and painted metal covers, slightly scuffed on spine. New York: M.O.M.A., 1968. A bright copy in very good(+) condition.<br/> <br/> The 1968-69 exhibition of "comments on technology by artists of the Western world" from Leonardo Da Vinci to the present.<br/> <br/>

New York (The Museum of Modern Art), 1968.. 216pp. Prof. illus. Sq. 4to. Hinged tin binding. Covers designed by Anders Österlin, after a photograph by Alicia Legg.