Search Results: let no man write my epitaph by willard motley

London: Pan. Good. Paperback. 1962. 415 pages. Cover worn.<br> .

Pan Books. Good. Paperback. 1960. 416 pages. Cover worn. Text tanned<br> .

Longmans, 1959. Hardcover. Good/Good. 1959. 404 pages. Orange pictorial dust jacket over brown cloth.Book has a slight smoky odour. Pages are lightly tanned and thumbed at the edges, with light foxing. Binding has remained firm. Boards are a little rub worn, slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are mildly crushed. Light wear to unclipped dust jacket with tears, nicks and creases to spine, edge and corners.

Random House Inc (T), 1958. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. The dust jacket is missing. At ThriftBooks, our motto is: Read More, Spend Less.

Random House Inc (T), 1958. Hardcover. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. The dust jacket is missing. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Longmans, Green and Co , 1959. First Edition. Hardcover. Good/Good. Small bookplate from a previous owner. Publication of 404 pages. Heavy book may require extra postage unless posted within South Africa. The dust jacket is a little shelf rubbed, with closed tears along the edges. There are minor marks on the inner part of the dust jacket. The boards are in good condition. Internally the pages are immaculately clean and complete. Tightly bound and protect in cellophane. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Longmans, 1959. 3rd imp. Hardcover. Fair/Fair. the jacket is worn and torn. foxing, ownership inscription and tape residue. some usage markings and very little damp staining. binding is a bit knocked. all pages are clear and legible. [SK]. Our orders are shipped using tracked courier delivery services.

Longmans, 1959. Hardcover. Very Good/Good. 0x0x0. 3rd impression. 404 Pages. The Jacket is a bit shelf rubbed and edge worn. With closed tears and chips along the edges. It is protected in cellophane. The boards are strong and sturdy. Internally, clean and complete. Tightly bound. r*04/05/2022. [Ak]. Our orders are shipped using tracked courier delivery services.

Longmans, 1959. Hardcover. Good/Acceptable. 1959. 2nd Impression. 404 pages. Pictorial dust jacket over brown cloth. Binding remains firm. Pages have light tanning and foxing throughout. Boards have light shelf-wear with corner bumping. Slight crushing to spine ends. Unclipped jacket has light edgewear with chips and creasing. Water staining to edges. Foxing overall.

Random House. hardcover. Very Good. 9x6x1.

Longmans 1959. octavo hardcover (VG) in d/w (VG-); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples.Ordering more than one book will reduce your overall postage cost.

New York: Random House, 1958. First Edition. Hardcover. Fine/Very Good. Octavo. Stated first edition. The sequel to KNOCK ON ANY DOOR by a Chicago Literary Hall of Fame author. A fine, clean and unmarked copy in a fine if price-clipped jacket protected by an archival Mylar cover.

UsedAcceptable. The pages are sun faded and slightly yellowing There is some crinkling to some of the pages possibly from water There is a lot of wear and tear on the cover There are stains or residue on the cover This is a paperback copy There is staining on the text block edges There are some creases on the spine Fast Shipping - Each order powers our free bookstore in Chicago and sending books to Africa!

Longmans , 1959 . Second impression in unclipped jacket. Main design looks good, but the white background of the back cover is rather marked. Presumably some kind of file copy, as there is a faintly stamped date reference on the ffep.

Random House, 1958T. hardcover. Good. 1.1102 in x 9.1299 in x 6.5709 in. Heavy wear to jacket, including a large taped tear. Edge wear to cloth. One pencil note on ffep. No other markings. Binding is sound. Jacket is worn, but still bright and attractive.

New York: Random House. 1958. First Edition; First Printing. Hardcover. Very Good+ in a Fair dust jacket. Dust jacket shows edge wear. Soiling to front endpaper. First Edition; "First Printing" indicated on copyright page. ; 8vo 8" - 9" tall .

New York: Random House, 1958. Hardcover. Near Fine/Very Good. First edition. Fading on the board edges else near fine in a very good dust jacket with a dampstain on the bottom edge, toning, and slight edgewear. Publisher's file copy, stamped "File Copy Editorial Department" on the front free endpaper.

New York: Random House, 1958. First edition. Slightly sunstruck; fine in a lightly rubbed, laminated dust jacket with a touch of wear to edges and extremities; remnant of a phone number written on the rear panel.. 8vo, 467pp; peach cloth. Motley wrote this novel in Mexico as a sequel to his 1947 debut Knock on Any Door. Laid into this copy is a presentation card from Columbia Pictures Corporation with the facsimile signature of producer Charles Schnee who had produced the film adaptation of "Knock on Any Door" and was preparing an adaptation of this novel.

Random House . Stated first printing. DJ in archival cover large chips. . Fine. Hardcover. 1st Edition. 1st Printing. 1958.

New York: Random House, 1958. Book. Very good condition. Hardcover. Signed by Author(s). First Edition. Octavo (8vo). 467 pages of text. Original hardcover binding with moderate fading, sunning and soiling to the spine and extremities, with a small bump to the top of the spine. The unclipped dustjacket has several small tears and creases, and is moderately rubbed at the extremities and shelfworn; protected in archival mylar. Signed by the author on the front endpaper with no further inscription. The text is clean and unmarked. First edition. Copyright page states: First printing..