Description:
Bruxellis [Brussels]: Apud Franciscvm Foppens, 1682. Early Reprint. Full Calf. Near Fine+. First of the Brussels Foppens editions of Veen's enduringly popular "Emblems from Horace" (principally from the Odes and Satires), a classic of emblematic literature. 4to: [8],205,[3]pp, with full-page engraved coat-of-arms, portrait of "Octavio Vaenius," and 103 engraved emblems with mottoes in Latin and stanzas in French below each plate and verses in Latin, Italian, Dutch and French on verso of preceding plate. Contemporary sprinkled calf, very skillfully rebacked, spine in six compartments between raised bands with central printer's ornament in blind, recent blue morocco lettering piece gilt, title page in red and black with portrait medallion. Provenance: Crawfurd Antrobus (armorial book plate on front paste-down). An excellent, well-margined copy with several old well-executed paper repairs to short closed tears, mostly marginal; few marginal stains, else clean, fresh, and bright, plates in deep, rich…
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[Emblem Book] Quinti Horatii Flacci Emblemata, imaginibus in aes incisis, notisque illustrata
by VEEN, Otto van [Otto Vaenius ], 1556-1629
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- Early Reprint
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Lancaster, Pennsylvania, United States
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Quinti Horatii Flacci emblemata imaginibus in aes incisis, notisq[ue], illustrata studio Othonis Vaeni.
by Horace; Vaenius, Otto; [Otto van Veen]
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- Hardcover
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- Hardcover
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New York, New York, United States
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Antwerp: Prostant apud Philippu Lisaert, auctoris aere & curae, 1612. 4to (240 x 192mm). 212pp., [2]. 103 full-page engravings attributed to his brother and artist Gijsbert van Veen (1562-1628). Title with engraved oval portrait of Horace. Contemporary vellum, paneled in blind with raised bands; (title thumb-soiled, worming to lower margins worst at final few quires; modern endpapers, hinges strengthened, upper joint cracked at head and foot, covers slightly bowed). Otto Vaenius was a painter, draughtsman, and humanist flourishing in Brussels in the late 16th and early 17th century. He is known for running a large studio in Antwerp, producing several emblem books, and for being Peter Paul Rubenss teacher from 1594 to 1598. Horatian emblem books were received with resounding enthusiasm in the early modern period. The large and complex symbolic images meant to relay the basic precepts of humanist morality and celebrate Horatian virtues in society. Copies of this book were pirated by authors…
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