Search Results: robes of thespis costume designs by by mason rupert george

Ernest Benn Ltd, 1928-01-01. Hardcover. Good. in x in x in. Ex-library rebind book, usual markings. Clean copy, sound binding.

London: Ernest Benn Limited, 1928. Book. Very Good to Near Fine. Hardcover. 4to - over 9¾ - 12" tall. Blue-green cloth with gilt spine titles and a gilt cover decoration109 tissue-guarded color and black & white plates, plus color frontispiece. Black & white drawings at chapter headings. Clean, bright, and unmarked. A great copy. .

1928-01-01. Unknown Binding. Good. in x in x in. Ex-Library. Hardback. Clean copy, sound binding.

London: Ernest Benn Limited, 1928. First Edition. Quarto. 143pp, frontispiece and 109 other color plates with tissue guards, bound in blue pictorial gilt cloth, spine lettering gilt. Rupert Mason brings light to the unknown artist of costume, to give them a chance of success with profits devoted to the creation of a fund to help in their advancement of recognition. Joints just a bit rubbed otherwise an exceptionally nice copy.

London: Ernest Benn Ltd. G : in good condition without dust jacket. Cover rubbed. 1928. First Edition. Blue hardback cloth cover with gilt motif and titles. 280mm x 225mm (11" x 9"). xv, 144pp + plates. 109 colour and b/w plates. Costume in opera, ballet, Lyric Theatre Hammersmith, Irish Dramatic Costume, Period Costume, Fantasy (Max Beerbohn,). Heavy item - shipping supplement may apply for overseas. .

London: Ernest Benn Limited, 1928. First edition. Full page plates. 1 vols. 4to. Blue cloth decorated in gilt. Light rubbing to extremities, else vear ine. Ex-library, with spine numbering and stamp to title page. First edition. Full page plates. 1 vols. 4to.

London: Ernest Benn, 1928. First edition. Cloth. Near Fine/Very Good. 11.5" by 9.5". Not Stated. The first edition of this richly illustrated study of theatre costume, in the scarce publisher's original dust wrapper. In the publisher's original dust wrapper, price unclipped.Illustrated throughout, with a frontispiece and one-hundred and nine plates, many in colour, and each retaining the original captioned frontispiece. Collated, complete.The ethos behind this text was to 'bring to light unknown artists' and to enable them to have a chance of success hitherto denied. It publicly recognises the vision and work of costume designs from a variety of performances.The text has divided the costume depicted into eight sections: 'Fantasy in Costume', 'Historic or Period Costume', 'Irish Dramatic Costume', 'Costume', 'Costume At The Lyric Theatre, Hammersmith', 'Revue', 'Costume for Ballet' and 'The Artist in The Dressing Room'.With the former owner's inscription of Roe Luck, 1930, to the front free… Read More

London: Ernest Benn Limited, 1928. No. 25 of only 25 copies specially bound and ptinted on hand-made paper and containing two color plates not included in the regular edition. Fine with trifling spot to the vellum spine. No. 25 of only 25 copies specially bound and ptinted on hand-made paper and containing two color plates not included in the regular edition. Thick quarto. xv, 143p. Illustrated with line drawing headpieces and 111 plates (not figured in the pagination), 46 in color. In original binding on gilt-titled vellum spine over gray cloth boards with large central costume design in gilt by E. Gordon Craig, t.e.g. Designs by Beerbohm, E. Gordon Craig Dulac, Ricketts, Rutherston, Paul Nash, Claud Lovat Fraser and so many others. Literary contents by Beerbohm, Cyril Beaumont and 11 others. A sumptuous production. Prospectus laid in.