Search Results: pull my daisy by kerouac jack robert

Germany: Steidl, 2008. Hardcover. Fine. Hardcover. Pull My Daisy is a 1959 short film that typifies the Beat Generation. Fine in illustrated boards. No dust jacket, as issued. First printing of this 2008 edition (originally published in 1961 in paperback). Text by Jack Kerouac for the film by Robert Frank and Alfred Leslie. Contains many black and white photos.

Gottingen: STEIDL.. Fine with no dust jacket. 2008. First Edition; First Printing. Hardcover. 978-3-86521-673-1 . First hardcover edition. Fine in pictorial boards, without dust jacket as issued. (Unpaginated) Introduction by Jerry Tallmer. ; 5" x 8"; 64 pages .

Pull My Daisy, Text by Jack Kerouac For The Film By, Robert Frank And Alfred Leslie. Published by Grove Press, New York, USA, 1959/61. First Edition; Stated First Printing. Softcover. 8vo. over 7¾" - 9¾" . Unpaginated. Numerous black and white stills from the film by Robert Frank. Text in English by Jack Kerouac. Light edgewear, soiling and rubbing to card covers. Previous owners name top edge free endpaper; otherwise clean internally with an occasional very small fox mark.
From the back cover- "Here is the complete Kerouac text, with photos selected by Robert Frank from the film Pull My Daisy- a short cinematographic exhibition of 'Beat' life in a Bowery 'pad' on New York's Lower East Side, with spontaneous performances by poets Allen Ginsberg, Gregory Corso, and Peter Orlovsky, painter Larry Rivers, composer David Amram, and other characters drawn from the highest echelons of Beat Society."

New York and London: Grove Press, 1961. First edition. Paperback. Very Good. First printing stated. A small trade paperback original book. Text ad-libbed by Jack Kerouac. Containing stills from the Robert Frank film. A clean and tightly bound copy. Typical light fade to spine colors.

New York: Grove Press, 1961. Softcover. Very Good. First edition. Paperback original. Text by Jack Kerouac for the Film by Robert Frank and Alfred Leslie. Illustrated wrappers. Faint crease and modest age-toning both on the front wrap, very good.

New York: Grove Press, 1959. First Edition. Original Wraps. Near Fine/No Jacket. 8vo - over 7¾" - 9¾" tall. Very light scuffing visible to black and white photograph on front cover, very small stain as well. Other wise fine.

New York: Grove Press, 1961 . FIRST PRINTING. Softcover. Good+/No jacket issued. New York: Grove Press, 1961 . FIRST PRINTING. Numerous b/w photographs. 38 + photographs pp. Softcover. Small 8vo. White stiff wrappers. Front wrapper lightly chipped at edges, especially along top edge; very slight foxing to insides of wrappers and facing pages, else quite good. Good+/No jacket issued.

New York and London: Grove Press, 1961. First edition. Paperback. Very Good. First printing stated. A small trade paperback original book. Text ad-libbed by Jack Kerouac. Containing stills from the Robert Frank film. Light age spotting to endpapers, else a clean and tightly bound copy. Typical light fade to spine colors.

New York: Grove Press, 1961. First edition. Paperback original. With stills from the film by Robert Frank and Alfred Leslie. Wrappers a trifle soiled, near fine.

New York: Grove Press, 1961. Softcover. Near Fine. First edition. Paperback original. With stills from the film by Robert Frank and Alfred Leslie. Wrappers a trifle soiled, near fine.

New York: Grove Press, 1961. First edition. Paperback original. Text by Jack Kerouac for the Film by Robert Frank and Alfred Leslie. Advance Review Copy with slip laid in. A tiny crease on front wrap, else fine. Slight offsetting on the review slip.

NY: GROVE PRESS.. Near Fine. 1961. First Edition. A trade paperback original. Near fine in pictorial printed wrappers. (Orange hue on spine somewhat faded) A sharp copy of a slim & fragile title which is prone to wear. (B) .

New York and London: Grove Press, 1961. First edition. Paperback. Very Good. First printing stated. A small trade paperback original book. Text ad-libbed by Jack Kerouac. Containing stills from the Robert Frank film. A handsome near fine copy with typical light fade to spine colors. This copy has been SIGNED and briefly ANNOTATED by Allen Ginsberg who was one of the spontaneous performers in this production (along with Gregory Corso, Peter Orlovsky and Larry Rivers).

New York; London: Grove Press; Evergreen Books, 1961. First edition. An Evergreen Original. Illustrated. 38, [34] pp. 1 vols. 8vo. Pictorial wrappers. Near fine. Ownership signature of R. Nameth on half title, collection stamp on title page. First edition. An Evergreen Original. Illustrated. 38, [34] pp. 1 vols. 8vo. Exploding Plastic Inevitable filmmaker Ron Nameth's copy. Nice copy of the paperback original of the cult Beat film, Pull My Daisy, with the title song by Jack Kerouac and Allen Ginsberg and illustrated with stills from the film. In 1967 Ron Nameth documented ANdy Warhol's Exploding Plastic Inevitable and the Velvet Underground.

New York: Grove Press, 1961. Softcover. Near Fine. First edition. Paperback original. With stills from the film by Robert Frank and Alfred Leslie. Wrappers a trifle soiled and rubbed, and a tiny stain on the foredge, else near fine. [With] Small broadside or handbill for the premiere of the film: "The New Yorker Theater ... Beginning April 7 U.S. Premiere of Pull My Daisy." 8.5" x 11". Old folds, else near fine. A scarce ephemeral piece for the experimental film.

N.p.: N.p., 1959. Four vintage reference photographs from the 1959 short film. Three with the title in manuscript ink on the bottom margin of the recto, and one with a provenance label on the verso. Based on a purportedly true incident in the life of Beat icons Neal and Carolyn Cassady, wherein a couple's dinner party for a visiting bishop is crashed by their zany bohemian friends. Adapted by Jack Kerouac from the third act of his play "Beat Generation," with voiceover narration by Kerouac, and a title taken from the poem of the same name co-written by Kerouac, Cassady, and Allen Ginsberg. For years the film was rumored to have been entirely unscripted, capturing a real event at co-director Alfred Leslie's loft in the Bowery, until Leslie revealed in a 1968 interview that the film had in fact been scripted, heavily rehearsed, and shot in a photography studio. 10 x 8 inches. Small chips at the top edges, else about Near Fine. National Film Registry.