Search Results: break up the core of modern art by katharine kuh

Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

New York Graphic Society, 1965. Hardcover. Acceptable. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

New York Graphic Society, 1965. Hardcover. Good. Disclaimer:A copy that has been read, but remains in clean condition. All pages are intact, and the cover is intact. The spine may show signs of wear. Pages can include limited notes and highlighting, and the copy can include previous owner inscriptions. The dust jacket is missing. At ThriftBooks, our motto is: Read More, Spend Less.

London: London: Cory, Adams & MacKay, 1965, 1965. Hard Cover. VG/G+. 1st. pp. 136, wear extremities, dj: rubbing, heavy wear extremities and corners. 1st. Hard Cover. VG/G+.

Used - Good. Used book that is in clean, average condition without any missing pages.

1966. Very Good. KUH, KATHARINE. Break-up: The Core of Modern Art. Greenwich, Connecticut: New York Graphic Society, 1966, Second printing. 8vo, pp.145, illustrated in halftone and color. Softbound. Vg, former owner's name in ink on f.f.e.p.

New York Graphic Society Ltd. 1966. Paperback. UsedGood. Paperback; 2nd printing of a 1965 copyright; light soiling, scuffing, and e dge wear to exterior; small tear to top edge of spine; in good condition wi th clean text, firm binding. ASIN : B000K0GNKQ .

Greenwich, CT: New York Graphic Society. VG/G. (1965). ........ Cloth(Hrdcvr). With 8 color plates and 87 illustrations in black and white. . 8vo., 136 pp., Owners signature; dj frayed at tips, edge tears .

1965. 4to size blue clothbound hardcover with dust jacket; 136 glossy pages with eight color plates and 87 black and white illustrations. From jacket: "This book offers a way of seeing and understanding modern art...the text examines works of art with only two objectives - to uncover meanings and motivations. Ever since the Impressionists took color apart and re-created nature on canvas with revolutionary new color uses - literally color broken-up by the spectrum - the modern artist has continued to create new forms, new images, new space relationships, new surfaces, and new materials by breaking away from and by breaking up the methods and materials from the past." Jacket has some rubbing, wear and edgewear; penciled price erased from fep. . Cloth. Good/Good. 4to - over 9¾" - 12" tall.

Greenwich, Connecticut: The New York Graphic Society, 1969. Softcover. Good. Later printing. Trade paperback. 145pp. Illustrated. Owner name, writing inside rear cover, ink underlining and notes on several pages, spine chipped and tearing, good only. An art critic seeks to convey the meaning and motivation behind works of Modern Art.

Greenwich, Conn: New York Graphic Society. Very Good. 1965. Hardcover. Greenwich, Ct: New York Graphic Society (1965). Blue cloth, tight, clean and bright. Very good in a good DJ, which has been tape repaired, and shows some wear. .

New York Graphic Society. Used - Very Good. Very Good condition. Good dust jacket. (Art, Modern Art, Pictorial Works, Art Appreication) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name, short gifter’s inscription or light stamp. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Greenwich, CT: New York Graphic Society, 1965. First edition and first printing. Hardcover. 136 pages. Features text by Katharine Kuh. Includes 8 color plates along with 87 black and white illustrations. A tight near fine copy in cloth boards and in a near fine dust jacket with some minor wear.

Greenwich, New York Graphic Society (1965).. 4°. 136 S., 95 Illustr., davon 8 in Farbe, OLn., plastif., OUmschlag., dieser randrissig.