Search Results: down below by carrington leonora

NYRB Classics. Used - Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

NYRB Classics, 2017-04-18. Paperback. Like New.

NYRB Classics. New. BRAND NEW, GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER!

NYRB Classics, 2017-04-18. Paperback. New.

NYRB Classics, 2017-04-18. Paperback. Used: Good.

New York Review of Books, 2017-04-18. Illustrated. paperback. Used:Good.

UsedVeryGood. signs of little wear on the cover.

UsedVeryGood. Minor shelf wear

UsedVeryGood. signs of little wear on the cover.

UsedLikeNew. Remainder mark

UsedLikeNew. Remainder mark

UsedLikeNew. Remainder mark

New. .

New. .

New. .

New York: New York Review Books, 2017. xxxvii, 69 pages, illustrations, portrait; 21 cm. Tight, clean copy. "In 1937 Leonora Carrington--later to become one of the twentieth century's great painters of the weird, the alarming, and the wild--was a nineteen-year-old art student in London, beautiful and unapologetically rebellious. At a dinner party, she met the artist Max Ernst. The two fell in love and soon departed to live and paint together in a farmhouse in Provence. In 1940, the invading German army arrested Ernst and sent him to a concentration camp. Carrington suffered a psychotic break. She wept for hours. Her stomach became "the mirror of the earth"--of all worlds in a hostile universe--and she tried to purify the evil by compulsively vomiting. As the Germans neared the south of France, a friend persuaded Carrington to flee to Spain. Facing the approach "of robots, of thoughtless, fleshless beings," she packed a suitcase that bore on a brass plate the word… Read More

Paperback / softback. New.

New York Review of Books, 2017. Paperback. New. 96 pages. 8.00x5.00x0.25 inches.

NYRB Classics. New. Special order direct from the distributor

Virago. Trade Paperback. VG. used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.