White Fang (First Printing, Inscribed By Jack London To Elwyn Irving Hoffman) by London, Jack, Inscribed By Jack London To Elwyn Irving Hoffman - 1906

New York:: Viking Press,, 1938.. First Printing of the First US Edition. A Near Fine copy with the usual age darkening to the cloth binding in a Very Good plus unclipped dust jacket with gentle wear to the extremities, a tiny chip missing near the head of the spine and a glue bleed through running along the fold of the rear panel. Otherwise a respectable copy of this collection of classic Steinbeck short stories that includes The Chrysanthemums, The White Quail, Flight, The Snake, Breakfast, The Raid, The Harness, The Vigilante, Johnny Bear, The Murder, St. Katy The Virgin, the Complete Red Pony, The Leader of the People. There were only 8000 copies of this title published in the First Edition.

New York: The Viking Press, 1964. A novel complex, compelling, absurd and realistic, Herzog became a classic almost as soon as it was published in 1964. In it Saul Bellow tells the tale of Moses E. Herzog, a tragically confused intellectual who suffers from the breakup of his second marriage, the general failure of his life and the specter of growing up Jewish in the middle part of the 20th century. He responds to his personal crisis by sending out a series of letters to all kinds of people. The letters in total constitute a thoughtful examination of his own life and that which has occurred around him. What emerges is not always pretty, but serves as gritty foundation for this absorbing novel. "A masterpiece" (The New York Times). Named by Time Magazine as one of the 100 best novels in the English language since Time's founding in 1923.

New York: Random House, 1940. First Edition. Hard Cover with Dust Jacket. Very Good/Very Good. Octavo. SIGNED AND INSCRIBED THUS ON FEP: "To Marguerite Dunsmore - /The friendly antagonist - in hopes / of more such intriguing duels / Cordially / Walter V. T. Clark / December 14, 1940. TOGETHER WITH CARBON TYPSCRIPT, ONE PAGE, SIGNED, WRITTEN TO MS. DUNSMORE: "Addressed to a Counter-blade / Let us cease this fencing of intellects / This sharp following behind masks / Of the bright points moving, this parry and thrust / Of the cold metal ringing, the guard against guard to a spark, / Seeking only a tip-tear in a heart sewed on white silk. / Let us throw down the limber blades, the screens of our faces, / Into the roses tossed early for the quick-legged dance of our brains, / Rub off the powder of our hands and join them tightly, / Looking upon each other once clearly uncovered. / Are we to dread the dark fools up in the gallery shadow / Crying the 'coward' chorus, until they weary, and bundle the… Read More

Paris: Léon Escudier [PNs L.E. 1500.; L.E. 1500. (1-4, 6-9, 11, 14); L.E. 1501. (1-3); L.E. 1504 (4).], 1855. Folio. Quarter contemporary dark green textured cloth with dark green pebbled paper boards, blind rules to spine, titling gilt. 1f. (recto title engraved by A. Vialon with the names of four of Verdi's operas printed within decorative borders, verso blank), [1] (named cast list and table of contents), 2-415, [i] (blank) pp. Engraved. Named cast includes Cruvelli, Sannier, Gueymard, Bonnehée, Obin, Boulo, Loenig, Marié, Coulon, and Guignot. Publisher's handstamp to lower margin of title. Binding somewhat worn and rubbed; endpapers browned. Occasional light foxing, soiling, and bleeding; several corners slightly creased; small tear to lower margin of pp. 55-56 with archival tape repair, not affecting music; several pages with minor annotations in pencil. A very attractive copy overall. First Edition of the first version of the opera. Hopkinson 56A(a). Chusid p. 170. Les Vêpres… Read More

London: Cassell & Company, 1935. First Edition. First edition of Lawrence Durrell's first novel. Highly autobiographical in character, an apprentice effort, Durrell's novel sank largely without trace. And as with so many unsold titles, the majority of copies were destroyed during the Blitz. Blue boards with the barest hint of rubbing to edges; no dustjacket, spine incorrectly lettered Pied Pipers of Lovers, bookseller's price on front free endpaper, slight spotting to fore and top-edges, otherwise a clean, solid, well-preserved copy of Lawrence's exceedingly scarce first novel.

Methuen & Co. Ltd. London.,1913. Spurrious First edition. Actually the fourth impression with a cancel title page, stating " First Published 1913" on verso, on the title page stub. 8vo. (7.7 x 5.3 inches). 8 page publishers advert dated Autumn 1913. A very good copy in publishers green cloth binding with spine decorated and lettered in gilt, including the correct spelling of the publishers name at the bottom. Signed by Joseph Conrad on the front free endpaper, Dated 1923. The top of the signed leaf and the half title page have a small indentation where a paper clip has been used.Aside from some light rubbing to the extremities this is a very good tight copy, the gilt on the spine still strong and bright. Loosely inserted is the front panel from the rare dustwrapper, showing a full colour illustration by J. Dewar Mills within a grey border. The whole panel dark blue with grey title and author. An interesting copy, signed by the author and with part of the wrapper, of the less common 1913 Cancel title… Read More

New York:: Viking Press,, 1938.. First Printing of the First US Edition. A Near Fine copy with the usual age darkening to the cloth binding in a Very Good plus unclipped dust jacket with gentle wear to the extremities, a tiny chip missing near the head of the spine and a glue bleed through running along the fold of the rear panel. Otherwise a respectable copy of this collection of classic Steinbeck short stories that includes The Chrysanthemums, The White Quail, Flight, The Snake, Breakfast, The Raid, The Harness, The Vigilante, Johnny Bear, The Murder, St. Katy The Virgin, the Complete Red Pony, The Leader of the People. There were only 8000 copies of this title published in the First Edition.

New York: Random House, 1940. First Edition. Hard Cover with Dust Jacket. Very Good/Very Good. Octavo. SIGNED AND INSCRIBED THUS ON FEP: "To Marguerite Dunsmore - /The friendly antagonist - in hopes / of more such intriguing duels / Cordially / Walter V. T. Clark / December 14, 1940. TOGETHER WITH CARBON TYPSCRIPT, ONE PAGE, SIGNED, WRITTEN TO MS. DUNSMORE: "Addressed to a Counter-blade / Let us cease this fencing of intellects / This sharp following behind masks / Of the bright points moving, this parry and thrust / Of the cold metal ringing, the guard against guard to a spark, / Seeking only a tip-tear in a heart sewed on white silk. / Let us throw down the limber blades, the screens of our faces, / Into the roses tossed early for the quick-legged dance of our brains, / Rub off the powder of our hands and join them tightly, / Looking upon each other once clearly uncovered. / Are we to dread the dark fools up in the gallery shadow / Crying the 'coward' chorus, until they weary, and bundle the… Read More

Paris: Léon Escudier [PNs L.E. 1500.; L.E. 1500. (1-4, 6-9, 11, 14); L.E. 1501. (1-3); L.E. 1504 (4).], 1855. Folio. Quarter contemporary dark green textured cloth with dark green pebbled paper boards, blind rules to spine, titling gilt. 1f. (recto title engraved by A. Vialon with the names of four of Verdi's operas printed within decorative borders, verso blank), [1] (named cast list and table of contents), 2-415, [i] (blank) pp. Engraved. Named cast includes Cruvelli, Sannier, Gueymard, Bonnehée, Obin, Boulo, Loenig, Marié, Coulon, and Guignot. Publisher's handstamp to lower margin of title. Binding somewhat worn and rubbed; endpapers browned. Occasional light foxing, soiling, and bleeding; several corners slightly creased; small tear to lower margin of pp. 55-56 with archival tape repair, not affecting music; several pages with minor annotations in pencil. A very attractive copy overall. First Edition of the first version of the opera. Hopkinson 56A(a). Chusid p. 170. Les Vêpres… Read More

London: Cassell & Company, 1935. First Edition. First edition of Lawrence Durrell's first novel. Highly autobiographical in character, an apprentice effort, Durrell's novel sank largely without trace. And as with so many unsold titles, the majority of copies were destroyed during the Blitz. Blue boards with the barest hint of rubbing to edges; no dustjacket, spine incorrectly lettered Pied Pipers of Lovers, bookseller's price on front free endpaper, slight spotting to fore and top-edges, otherwise a clean, solid, well-preserved copy of Lawrence's exceedingly scarce first novel.