[SERBIAN AVANT-GARDE - SURREALISM - PHOTOGRAPHY] NemoguÄe: L'impossible [The impossible]
- Used
- Condition
- See description
- Seller
-
Berlin, Germany
Payment Methods Accepted
About This Item
The anthology Nemogucé is a key publication of the Serbian avant-garde, which contains the first printing of the manifesto of the group, which numbered thirteen members. It also contains other programmatic texts, as well as contributions by Serbian and French writers and artists. Among the French collaborators of the publication were André Breton, Paul Ãluard, Benjamin Péret, Louis Aragon, and René Char. The Serbian surrealists include: Milan Dedinac, Vane Jivadinovitch-Bor, ÄorÄe KostiÄ, Mladen DimitrijeviÄ, ÄorÄe JovanoviÄ, KoÄa PopoviÄ, Petar PopoviÄ, Radojica ŽivanoviÄ Noe, Aleksandar VuÄo, DuÅ¡an MatiÄ, Oskar DaviÄo, Marko RistiÄ und Branko MilovanoviÄ. The manifesto was later published in the journal "Le Surréalisme au service de la révolution" (Surréalisme ASDLR), a surrealist publication published 1930-1933.
The Nemogucé anthology was also important for the development of surrealist-influenced photography in former Yugoslavia. "DuÅ¡an MatiÄ worked on Surrealist photo collages that coincided, in turn, with the appearance of left-wing literature, and followed in the footsteps of Man Ray and Maurice-Tabard by using double exposure and montages..." (See Davor KonjikuÅ¡iÄ, KonjikuÅ¡iÄ, Red Glow: Yugoslav Partisan Photography and Social Movement, 1941-1945, p. 43). Vane Bor and Nikola VuÄo also experimented with surrealist photography.
Paul Destribats 303. The anthology Nemogucé is a key publication of the Serbian avant-garde, which contains the first printing of the manifesto of the group, which numbered thirteen members. It also contains other programmatic texts, as well as contributions by Serbian and French writers and artists. Among the French collaborators of the publication were André Breton, Paul Ãluard, Benjamin Péret, Louis Aragon, and René Char. The Serbian surrealists include: Milan Dedinac, Vane Jivadinovitch-Bor, ÄorÄe KostiÄ, Mladen DimitrijeviÄ, ÄorÄe JovanoviÄ, KoÄa PopoviÄ, Petar PopoviÄ, Radojica ŽivanoviÄ Noe, Aleksandar VuÄo, DuÅ¡an MatiÄ, Oskar DaviÄo, Marko RistiÄ und Branko MilovanoviÄ. The manifesto was later published in the journal "Le Surréalisme au service de la révolution" (Surréalisme ASDLR), a surrealist publication published 1930-1933.
The Nemogucé anthology was also important for the development of surrealist-influenced photography in former Yugoslavia. "DuÅ¡an MatiÄ worked on Surrealist photo collages that coincided, in turn, with the appearance of left-wing literature, and followed in the footsteps of Man Ray and Maurice-Tabard by using double exposure and montages..." (See Davor KonjikuÅ¡iÄ, KonjikuÅ¡iÄ, Red Glow: Yugoslav Partisan Photography and Social Movement, 1941-1945, p. 43). Vane Bor and Nikola VuÄo also experimented with surrealist photography.
Paul Destribats 303.
The Nemogucé anthology was also important for the development of surrealist-influenced photography in former Yugoslavia. "DuÅ¡an MatiÄ worked on Surrealist photo collages that coincided, in turn, with the appearance of left-wing literature, and followed in the footsteps of Man Ray and Maurice-Tabard by using double exposure and montages..." (See Davor KonjikuÅ¡iÄ, KonjikuÅ¡iÄ, Red Glow: Yugoslav Partisan Photography and Social Movement, 1941-1945, p. 43). Vane Bor and Nikola VuÄo also experimented with surrealist photography.
Paul Destribats 303. The anthology Nemogucé is a key publication of the Serbian avant-garde, which contains the first printing of the manifesto of the group, which numbered thirteen members. It also contains other programmatic texts, as well as contributions by Serbian and French writers and artists. Among the French collaborators of the publication were André Breton, Paul Ãluard, Benjamin Péret, Louis Aragon, and René Char. The Serbian surrealists include: Milan Dedinac, Vane Jivadinovitch-Bor, ÄorÄe KostiÄ, Mladen DimitrijeviÄ, ÄorÄe JovanoviÄ, KoÄa PopoviÄ, Petar PopoviÄ, Radojica ŽivanoviÄ Noe, Aleksandar VuÄo, DuÅ¡an MatiÄ, Oskar DaviÄo, Marko RistiÄ und Branko MilovanoviÄ. The manifesto was later published in the journal "Le Surréalisme au service de la révolution" (Surréalisme ASDLR), a surrealist publication published 1930-1933.
The Nemogucé anthology was also important for the development of surrealist-influenced photography in former Yugoslavia. "DuÅ¡an MatiÄ worked on Surrealist photo collages that coincided, in turn, with the appearance of left-wing literature, and followed in the footsteps of Man Ray and Maurice-Tabard by using double exposure and montages..." (See Davor KonjikuÅ¡iÄ, KonjikuÅ¡iÄ, Red Glow: Yugoslav Partisan Photography and Social Movement, 1941-1945, p. 43). Vane Bor and Nikola VuÄo also experimented with surrealist photography.
Paul Destribats 303.
Details
- Bookseller
- Penka Rare Books and Archives (DE)
- Bookseller's Inventory #
- 52786
- Title
- [SERBIAN AVANT-GARDE - SURREALISM - PHOTOGRAPHY] NemoguÄe: L'impossible [The impossible]
- Book Condition
- Used
- Quantity Available
- 1
- Keywords
- avantgarde, avant-garde, surrealism, surrealist, yugoslav, yugo, serbia, serbian, croatia, croatian, breton, photography, photo, modernism, modernist
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Penka Rare Books and Archives
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About the Seller
Penka Rare Books and Archives
Biblio member since 2014
Berlin
About Penka Rare Books and Archives
We specialize in rare books, manuscripts, and ephemera related to Russia and Eastern Europe. Members of VDA (Verband Deutscher Antiquare) and ILAB (International League of Antiquarian Booksellers). For more information, please visit www.penkararebooks.com or contact us at info@penkararebooks.com.