La Rive Gauche. A Group of Woodcuts and Drawings by Howard Simon with an Introduction by Elliot H. Paul. (Trial proofs of the first edition.)

Paris: published at the Abbaye by J. McMullin, 1926.. Folio. 40 x 30 cm. Unnumbered proof impressions of 16 woodcuts on the Montval paper of Gaspard Maillol. 8pp. text followed by the unbound woodcuts. Contained in a chemise of blank Montval, this foxed. The published edition was of 125 copies with only 14 woodcuts....During the 1920s and 1930s, Howard Jacob Simon was a nationally celebrated painter in oils and watercolors and an illustrator in sketches and woodcut prints. In Arkansas, he was best known for his drawings and woodcuts that illustrated Charlie May Simon’s books and the book Back Yonder, An Ozark Chronicle by Wayman Hogue, Charlie May Simon’s father.Howard Simon was born on July 22, 1902, in New York City to Samuel Simon, a salesman of general merchandise, and Bertha Simon. He had one brother. Before he was fifteen, Simon knew that he wanted to be an artist. He went daily to the National Academy of Design. He then spent two years at the New York Academy of Arts and drawing for New York newspapers. By the time he was seventeen, he had saved enough money to go to Paris to live and study art for five years.Simon studied for several years under Jacques Alexander at Académie Julian in Paris. In 1926, he met and married Charlie May Hogue, who was in Paris studying sculpture.Simon’s career began in earnest in Paris, where he made drawings of the beggars living under the bridges. He learned his woodblock technique from Japanese instructors. Upon returning from Paris, he and his wife settled into a small studio in San Francisco, California, in 1928.From 1930 to 1935, the Simons lived outside Hollis (Perry County), having moved to Arkansas because of Charlie May’s desire to live as her ancestors had, and built a log cabin. Simon made sketches of the natives, bartering the sketches for services, food, or items they had made. Living in the hills gave Simon the models he needed to illustrate Wayman Hogue’s Back Yonder and many of his wife’s books. In fact, the woodcut titled “Square Dance” was created straight from a dance that he and Charlie May gave for their neighbors. He also illustrated an edition of François Rabelais’s work, François-Marie Arouet de Voltaire’s Candide, and Oscar Wilde’s The Nightingale and the Rose....Simon divided his time between Arkansas and his native New York, where he served on the art faculty of New York University for twenty years. While in Arkansas, Simon confined himself to woodcuts and etchings rather than oils and watercolors. He often left the hills for art shows in New York, Little Rock (Pulaski County), and Memphis. His work was exhibited at the Smithsonian as well as in New York and San Francisco and was represented abroad at the Victoria and Albert Museum in London. Simon was a full member of the California Society of Etchers....Simon kept his ties to Arkansas for much of his life even though he and Charlie May divorced in 1936, partly because Howard did not like living the life of a homesteader. Simon continued illustrating Charlie May’s books for many years. When he was asked to design woodcuts to be published in the Arkansas Gazette for Arkansas’s Centennial celebration in 1936, he designed a woodcut depicting the Spanish explorer Hernando De Soto and his men.