Riffs and Relations: African American Artists and the European Modernist Tradition by Childs, Adrienne L.; Kosinski, Dorothy [Foreword]; Maurer, Renee [Contributor]; Oliver, Valerie Cassel [Contributor]; - 2020-03-03

Rizzoli Electa. Very Good with No dust jacket as issued. 2020. Hardcover. 0847866645 . A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Bump to upper outer tip of back board. ; Height: 11.26 Inches, Length: 9.76 Inches, Weight: 3.15 Pounds, Width: 0.96; 208 pages .

Rizzoli International Publications, Incorporated. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Rizzoli Electa, 2020-03-03. Hardcover. New.

Rizzoli Electa, 2020-03-03. Hardcover. Like New.

New York: The Phillips Collection / Rizzoli Electa, 2019. Hardcover. VG (light scratches to boards; creasing to spine edges). brown illustrated boards w/ blue printing. 207 pgs w/ bw & color illustrations. Riffs and Relations: African American Artists and the European Modernist Tradition presents works by African American artists of the twentieth and twenty-first centuries together with works by the early-twentieth-century European artists with whom they engaged. Black artists have investigated, interrogated, invaded, entangled, annihilated, or immersed themselves in the aesthetics, symbolism, and ethos of European art for more than a century. The powerful push and pull of this relationship constitutes a distinct tradition for many African American artists who source the master narratives of art history to critique, embrace, or claim their own space. This groundbreaking catalog--accompanying a major exhibition at the Phillips Collection in Washington, D.C.--explores the connections and frictions… Read More