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[THE MOST INFLUENTIAL RUSSIAN DIRECTOR] - Cabinet photograph signed ('K. Alekseev (Stanislavskii)') to Andrei Pavlovich Petrovskii.

[THE MOST INFLUENTIAL RUSSIAN DIRECTOR] - Cabinet photograph signed ('K. Alekseev (Stanislavskii)') to Andrei Pavlovich Petrovskii.

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[THE MOST INFLUENTIAL RUSSIAN DIRECTOR] - Cabinet photograph signed ('K. Alekseev (Stanislavskii)') to Andrei Pavlovich Petrovskii.

by STANISLAVSKII, Konstantin Sergeevich

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  • Signed
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About This Item


The great actor and director at the height of his powers.

A fine cabinet photograph of Konstantin Stanislavskii (born Alekseev, 1863-1938), the great actor and director, who revolutionised modern theatre in a series of innovative productions at the Moscow Arts Theatre in the pre-war years, developing his famous 'system'. The recipient, Andrei Pavlovich Petrovskii (1869-1933) was a fellow actor and director.

The image can be dated by comparison with another surviving portrait by Sherer, Nabholz from the same sitting, in the same suit and tie, with the same distinguished moustache and wave of white hair, but facing the other way and slightly more forwards. We could trace an example of this other portrait, inscribed to Aleksandra Sergeevna Kiseleva, and dated 4 January 1911.

By 1911, Stanislavskii had already achieved world-wide fame. In 1898, he co-directed with Nemirovich the first of his productions of Chekhov: the MAT production of The Seagull has been described as "one of the greatest events in the history of Russian theatre and one of the greatest new developments in the history of world drama" (Rudnitsky 1981, 8). Stanislavskii went on to direct the successful premières of Chekhov's other major plays: Uncle Vanya in 1899 (in which he played Astrov), Three Sisters in 1901 (playing Vershinin), and The Cherry Orchard in 1904 (playing Gaev). In 1906 the MAT toured Europe. In 1910 Stanislavskii started working on his production of Hamlet (in collaboration with Edward Gordon Craig). However, in August 1910 he was diagnosed with typhoid fever, and was unable to return to rehearsals until April 1911. The play finally opened on 5 January 1912.

Martin Scherer (d. 1883) was a prominent Russian photographer of German descent; he created the first photographic panorama of Moscow in 1867. In the same year he and his partner, Swiss-born Georgii Nabholz, rented their studio out to the German photographer Albert Mei (Альберт Мей, 1842 — 1913), who led the studio to new successes. Among the studio's clients were prominent actors, artists, composers, and writers, including Leo Tolstoy. In 1911 the studio's address was Kuznetskii pereulok, near Kuznetskii Bridge, 3, where it remained until 1917.

Provenance

Private American collection, East coast.

Description and condition

192 x 135mm, mount 220 x 142mm, laid onto modern card. Inscribed in Russian on the image.

Bibliographic references

Rudnitsky, Konstantin. 1981. Meyerhold the Director. Trans. George Petrov. Ed. Sydney Schultze. Revised translation of Rezhisser Meierkhol'd. Moscow: Academy of Sciences, 1969.

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Details

Bookseller
PY Rare Books GB (GB)
Bookseller's Inventory #
1255
Title
[THE MOST INFLUENTIAL RUSSIAN DIRECTOR] - Cabinet photograph signed ('K. Alekseev (Stanislavskii)') to Andrei Pavlovich Petrovskii.
Author
STANISLAVSKII, Konstantin Sergeevich
Book Condition
Used
Quantity Available
1
Publisher
Scherer, Nabholz & Co, Moscow, [c. 1911].
Weight
0.00 lbs
Keywords
russie, theater, cinema, scene, ephemera, signed, signature, moscou
Bookseller catalogs
Performing Arts: Theatre and Dance;

Terms of Sale

PY Rare Books

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About the Seller

PY Rare Books

Seller rating:
This seller has earned a 5 of 5 Stars rating from Biblio customers.
Biblio member since 2021
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About PY Rare Books

Our specialities cover everything related to the former Russian Empire and its neighbouring regions, from Eastern Europe to Alaska, through the Caucasus and Central Asia - travel, exploration, history, literature, arts, avant-garde, etc., in emigration too. Occasionally other works which take our fancy.We focus on the quality of the copies we offer, without the usual significant condition issues often met with Russian books, and we strive to add value with (most of) our descriptions.

Glossary

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New
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A book in fine condition exhibits no flaws. A fine condition book closely approaches As New condition, but may lack the...
Inscribed
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