Il Mio Cadavere: Testo originale con annotazioni e glossario dei termini obsoleti by Giorgio Sommer

Electa, 1981. Unknown Binding. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Hardcover Edition; Tight binding; Clean, sturdy boards; Pages completely free of markings; Un-clipped dust jacket in Good condition, moderately edge-worn, now housed in protective mylar to ensure further preservation; An excellent copy; Stored and shipped in protective polybag; Secure packaging for safe delivery.Dust jacket quality is not guaranteed.

Rochester, N.Y.: The Workshop, 1981. Hardcover. Good (Ex-Library from Visual Studies Workshop with small white sticker on cover and inside rear cover; penciled markings title page; textblock edges are lightly worn/bumped/scuffed/smudged; interior is lightly toned with occasional smudging; binding is solid.). White wraps with black lettering; 54, [1] pp.; richly illustrated. Created on the occasion of an exhibition held at Visual Studies Workshop in Rochester, New York, November 20, 1981 to January 17th, 1982.

Rochester, NY: Visual Studies Workshop, 1981. First edition. Softcover. 54 pages. Exhibition catalog for a show that ran November 20, 1981 through January 17, 1982. Text by Adam D. Weinberg. Includes 26 black and white images, chronology, bibliography, and checklist. A fine copy in stapled wrappers and with laid in compliments card. Signed by Weinberg on the title page. Uncommon.

1890 Albumen print 20 x 25.5 cm mounted on board 25.5 x 30.5 cm. Ca. 1890. No. 12554. From the Neapolitan studio of Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.

Rochester, N.Y.: The Workshop, 1981. Hardcover. Good (Ex-Library from Visual Studies Workshop with penciled markings on rear of first page; textblock edges are lightly worn/bumped/scuffed/smudged; interior is lightly toned with occasional smudging; binding is solid.). Illustrated boards with red spine; white wraps with black lettering; 54, [1] pp.; richly illustrated. Created on the occasion of an exhibition held at Visual Studies Workshop in Rochester, New York, November 20, 1981 to January 17th, 1982.

Rochester, N.Y.: The Workshop, 1981. Hardcover. Good (Ex-Library from Visual Studies Workshop with penciled markings on rear of first page; textblock edges are lightly worn/bumped/scuffed/smudged; interior is lightly toned with occasional smudging; binding is solid.). Red and color-illustrated boards; 54, [1] pp.; richly illustrated. Created on the occasion of an exhibition held at Visual Studies Workshop in Rochester, New York, November 20, 1981 to January 17th, 1982.

1880 Albumen print 25.5 x 20 cm mounted on board 31 x 25.5 cm. Ca. 1880. No. 1889 in Sommer' catalog. Interior of basilica San Miniato in Florence from the Neapolitan studio of Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.

1880 Albumen print 20 x 25.5 cm mounted on board 25.5 x 30.5 cm. Ca. 1890. No. 9359 in Sommer' catalog. Interior of Baptistery in Florence from the Neapolitan studio of Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.

1890 Albumen print 25.5 x 20 cm mounted on board 31 x 25.5 cm. Ca. 1890. No. 8212. Photograph from the Neapolitan studio of Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.

1890 Albumen print 20 x 25.5 cm mounted on board 25.5 x 30.5 cm. Ca. 1890. No. 7071. From the Neapolitan studio of Giorgio Sommer (1834–1914), one of Europe’s most important and prolific photographers of the 19th century.