LITHOGRAPHIE PROPOS DONNÉS À VOIR by Evrard, André - [1986].

Los Angeles: Tamarind Lithography Worksphop, 1969. Livre. Illus. by Gregory Masurosvsky. Très bon. En Feuilles. Signé par L'auteur et L'illustrateur. Ed. originale. In-plano. Los Angeles, Tamarind Lithography Worksphop, 1969. 77 x 56 cm, in-plano, 10 planches entièrement lithographiées en noir y compris le titre et le colophon, en feuilles sous portefeuille noir muet d'édition. Edition originale et premier tirage des lithographies de Gregory Masurosvsky. Tirage à 38 exemplaires, celui-ci l'un des 20 exemplaires d'artiste sur Magnani Italia (n° 19). Chaque planche est signée, numérotée et datée par Masurovsky. L'exemplaire est en outre signé par Michel Butor au colophon. Les compositions de Masurovsky sont directement gravées sur la pierre, tandis que le texte de Butor est autographié sur papier à report. Très rare ouvrage entièrement conçu à deux… Read More

London & New York: Clover Hilll Editions & Chilmark Press, 1971. Hardcover. Very Good +. Anthony Gross. (Ref: Herdman 7008) 4to, small folio. Two Volumes contained in a slip case, Limited edition, number 67 of 135 copies. The book is illustrated with 8 etchings by Anthony Gross, with another set of the eight etchings, all signed, printed on hand made paper, housed in a box, loose as issued . Both folios are bound in buff cloth with brown morocco spines and lettered in gilt. There is a slight circular indentation on the last blank leaf to the book, the odd brown fox mark, otherwise a very good copy.

Paris: Pierre Belfond, 1970. Livre. Illus. by Roberto Matta. Très bon. En Feuilles. Signé par l'illustrateur. Edition originale. Grand In-4. Paris, Pierre Belfond, 1970. Coll. "les Cahiers du Regard" (n° 1). 39 x 29 cm, grand in-4, 50 (2) pp. - 2 gravures en couleurs hors texte, en feuilles sous couverture blanche muette, coffret de l'éditeur de pleine soie moirée. Edition originale et premier tirage. Tirage à 200 exemplaires sur grand vélin d'Arches (n° 54). Complet des deux gravures signées et numérotées par Matta. Coffret insolé. (MONOD, 4447).

New York: The Limited Editions Club. Near Fine. 1995. Limited Edition. Hardcover. 1st Edition. Revelation was written at the height of Christians prosecution by the Romans and the book as inspired many past literary masterpieces by the likes of Dante and Milton. For this edition the great American artist Allan Rohan Crite was inspired to produce fifteen relief engravings for possibly the ultimate illustrated edition of the book of Revelations. Revelations passionately speak against the power of evil and encourage Christians to resist even at the cost of martyrdom. Many critics considers this to be Crite's finest religious work. One volume (16 x 22 inches) Relief engravings were printed on Japanese paper and mounted on heavy paper handmade in Pescia Italy. Volume is handbound in burgundy linen and the solander box covered in black Italian cotton. The inset is Nigerian goatskin and the title stamped in 22-karat gold. The book is in NF condition with a few slight marks visible on the… Read More

(3) pages letterpress text, 6 lithographed plates. Publisher's wrappers with printed blue title shield to front cover. Uncut. Folio (480 x 320 mm). Slightly soiled. Engel. Bibl. Faustiana 1822 ; cf. Sammlung Kippenberg 1903 ("Verlag von Otto Humburg & Co." no date (obviously a remainder copy without the original wrappers; the Otto Humburg publishing house started its business around 1865) ; Rümann. 19. Jahrhundert 635. First edition. One of the rarest and at the same time most unusual suites to illustrate Goethe's Faust, and also one of the largest in size. Only a few copies with the original wrappers can be found; this is important because the suite was issued without a title page, so the title and imprint can only be found here. "(Er) wurde bekannt durch seine Illustrationen in Arabeskenform zu Goethes Faust und ebensolche zu Ossians Gedichten (Berlin, 1835)" (Thieme/Becker XVI, p 47). - "Carl Harnisch, born in Altenburg, Germany on January 1, 1800, worked as an artist and created designs for… Read More

Los Angeles: Tamarind Lithography Worksphop, 1969. Livre. Illus. by Gregory Masurosvsky. Très bon. En Feuilles. Signé par L'auteur et L'illustrateur. Ed. originale. In-plano. Los Angeles, Tamarind Lithography Worksphop, 1969. 77 x 56 cm, in-plano, 10 planches entièrement lithographiées en noir y compris le titre et le colophon, en feuilles sous portefeuille noir muet d'édition. Edition originale et premier tirage des lithographies de Gregory Masurosvsky. Tirage à 38 exemplaires, celui-ci l'un des 20 exemplaires d'artiste sur Magnani Italia (n° 19). Chaque planche est signée, numérotée et datée par Masurovsky. L'exemplaire est en outre signé par Michel Butor au colophon. Les compositions de Masurovsky sont directement gravées sur la pierre, tandis que le texte de Butor est autographié sur papier à report. Très rare ouvrage entièrement conçu à deux… Read More

Paris: Pierre Belfond, 1970. Livre. Illus. by Roberto Matta. Très bon. En Feuilles. Signé par l'illustrateur. Edition originale. Grand In-4. Paris, Pierre Belfond, 1970. Coll. "les Cahiers du Regard" (n° 1). 39 x 29 cm, grand in-4, 50 (2) pp. - 2 gravures en couleurs hors texte, en feuilles sous couverture blanche muette, coffret de l'éditeur de pleine soie moirée. Edition originale et premier tirage. Tirage à 200 exemplaires sur grand vélin d'Arches (n° 54). Complet des deux gravures signées et numérotées par Matta. Coffret insolé. (MONOD, 4447).

(3) pages letterpress text, 6 lithographed plates. Publisher's wrappers with printed blue title shield to front cover. Uncut. Folio (480 x 320 mm). Slightly soiled. Engel. Bibl. Faustiana 1822 ; cf. Sammlung Kippenberg 1903 ("Verlag von Otto Humburg & Co." no date (obviously a remainder copy without the original wrappers; the Otto Humburg publishing house started its business around 1865) ; Rümann. 19. Jahrhundert 635. First edition. One of the rarest and at the same time most unusual suites to illustrate Goethe's Faust, and also one of the largest in size. Only a few copies with the original wrappers can be found; this is important because the suite was issued without a title page, so the title and imprint can only be found here. "(Er) wurde bekannt durch seine Illustrationen in Arabeskenform zu Goethes Faust und ebensolche zu Ossians Gedichten (Berlin, 1835)" (Thieme/Becker XVI, p 47). - "Carl Harnisch, born in Altenburg, Germany on January 1, 1800, worked as an artist and created designs for… Read More

La Mesa, California:: Anne Covell,, 2019.. Edition of 25 variants. 9.5 x 1.25 x 12.5 inches (closed). Letterpress printed from photopolymer plates by Boxcar Press on an SP-15 Vandercook Proof Press in the UF School of Art + Art History Type Shop on Somerset Velvet and Masa papers. Designed and printed by Anne Covell during a semester long residency in the fall of 2019. Numbered. Anne Covell: "'Sea Change' is a letterpress printed artist book and companion print series that uses catastrophe modeling to map the projected impact of sea level rise on the Florida Peninsula if action is not taken to combat climate change. In this book, state and regional maps of the Florida Peninsula repeat page by page with hand-cut paper corrections that reflect projections for coastal impacts for up to ten feet in sea level rise. The corresponding text on the verso of each repeating image of the Florida Peninsula rises on the page in tandem with index tabs that visually mark predictions in two foot… Read More

Ames Lake, Portland, Washington D.C.:: M Kimberly Press,, 1991.. Edition of 125. illustrated and bound by Mare Blocker, text by Mare Blocker and Katherine Dunn. Illustrations are color linoleum and magnesium cuts representing circus performers, one fold-out color lithograph of performing lions and tigers, and two die-cut pages in the 56 unnumbered pages. shape of animal heads. Book is numbered on the last three digits of the pink ticket on the colophon page. This book was published in an edition of one hundred and twenty-five copies for the National Museum of Women in the Arts (NMWA), selected by the NMWA Library Fellows as a winner for the 1991 Artists' Book . Case bound with brown and black cloth-covered boards with blue foil stamping on front cover. Hollow-back binding. Pages pamphlet bound with white thread. Illustrated endpapers.competition. SMOA: "Passionate about storytelling and its role in examining and archiving, this artist's book was inspired by circus route books popular in… Read More