L'Automne Feuilles et Fruits by Jacques Zoubaloff - 1930

Salzburg: Verlag Galerie Welz. 320pp, 104 color plates. 1st Ed. German text. Cloth, orig. glassine protector. Lrg. thick 4to. Small chip on the external spine hinge. Near Fine condition in partly faded, chipped board slipcase. Rare.
Please Note: This book is heavy and requires additional freight and insurance. Please inquire.

As new. FRENCH language oversized hardcover (though the catalogue entries are in English and French). . A fine example of a very scarce book. 2 Copies available. International orders please contact for shipping charges.

With slipcase. Italian Text. 334 pages. Description: "Luigi Rossi's portraits effectively convey the spirit of Lombardy, and in addition have many references to French, German and Swiss culture. This guide to the works of this 19th-century artist features more than 250 previously unpublished paintings.

Hardcover Condition: Fine. Special edition limited to 350 copies. Copy number 133/350. Signed by Peter Hassrick on limitations page. Full padded leather binding with four raised bands and blind cowboy stamp to the cover. Marble end papers. A beautiful copy.
Oversized book. Additional shipping charges may be required. A beautiful copy.

New York: Simon and Schuster, 1961. First edition, first printing. Folio. Original brown cloth and dust jacket (not price-clipped). Minor edgewear to dust jacket, else fine in a fine dust jacket. Increasingly uncommon with dust jacket in this condition.. Gnoli, Domenico. Beautiful first edition of Domenico Gnoli's (1933-1970) modern fairy tale about a melancholy prince who discovers how to smile. Gnoli was a renowned Italian painter and stage designer best known for his surrealist pop art and canvas work featuring extremely scaled paintings of folds, patterns, and textures. Gnoli's more surrealist and fantastical illustrations, sketches, and etchings recall the famed works of Edward Gorey (with which Gnoli's works were sometimes confused)-and Gnoli's talent for the surreal and fantastic are on full display in his most popular and treasured book, Orestes or the Art of Smiling. Equal parts fairy tale and work of art, Gnoli's 1961 book tells the tale of Orestes, young Prince of Terramafiusa, and how he… Read More

Vancouver BC: Copublished by Contemporary Art Gallery, 1997. Paperback. Good +. 159 p.; soft cover, large format (12 x 9 inches); catalog of exhibit held at the Morris and Helen Belkin Gallery and six other galleries in Vancouver; introductions by all four curators in English, Spanish translations included. In Good to Very Good condition, unmarked, bottom corner of back cover bumped and worn, approx. 12 last pages rippled at lower corner. B & W and colour photographs of art works in various media.

[Zurich: The Artist, 2 November 1984].. ca. 150 leaves, in ink, on rectos only. Bound notebook (165 x 105 mm). Cloth and boards. Text stock pale yellow, ruled in blue and red. Fine. An original artist's book by Hartmann, signed, titled and dated by him on the rear pastedown. Each leaf bears an arrangement (sometimes occupying most of the page, sometimes a portion of it) of Hartmann's characteristic symbols (including recurrent stylized fish). A number of the individual leaves are dated in September demonstrating that Hartmann's work on this undertaking spanned a number of weeks. Laid in is a photo postcard of the artist. For a useful account of Hartmann's life and work, see: www.werner- hartmann.ch.

Avoca, Nebraska:: Blue Heron Press,, 2013.. Edition of 30. 11” x 5” closed, 11” x 35” open. Woodcut and letterpress on Japanese Nishinouch. Digital print on Asuka. Irregular accordion folding, into folio of covered boards with etching and mixed media decorative paper. Karen Kunc: "The cantilevered folds of a looming structure have subtle visual cues that seep and inundate behind and within. This edifice is made vulnerable by the hype and chatter of rumor and echoes; it is permeated by the consuming, swirling network of insistencies - the distractions of the media world we have created - that penetrates our every hour...fascinating, fanciful, insidious, precarious.

Rebel not taken publishing, London. 2018. FIRST EDITION. One of 1,000 copies, numbered and signed by Osborne and Reichardt and with each artist's embossed stamp beneath their signature. Large 8vo. (9.8 x 7 inches). 172pp. Beautifully printed and illustrated throughout in full colour alongside essays and descriptions from multiple artists and examples of their defaced notes. Black cloth binding with gilt lettering to the spine and front board. A fine copy in fine dustwrapper of this fascinating look into a little known art medium.

First Edition.
Book cover shows modest shelf wear, slight soil - pages clean, bright and unmarked – spine solid and undamaged. Gift inscription on fly page.
Proceeds benefit Friends of the Library.
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For the first time, and in a beautifully designed volume, the collected work projects, drawings, essays, and poems of one of America's foremost architects, architectural thinkers, and educators is brought together.