Japanese Gardens: Right Angle and Natural Form by Nitsche, G

TASCHEN, 1999. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Taschen, 1996. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Taschen America Llc, 1996-06-01. paperback. Very Good. 1.1811 in x 11.7323 in x 9.5276 in. Paperback. Cover and spine in good condition. Spine is tight. Pages are clean, no markings, notes or stains, with exception of price tage residue on first page. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Taschen, 1999-04-24. Paperback. Good.

Paperback. Good.

Taschen America Llc. Used - Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner’s name, short gifter’s inscription or light stamp. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

TASCHEN. Used - Good. Ships from the UK. Used book that is in clean, average condition without any missing pages.

TASCHEN, 1999-04-24. Paperback. New. In shrink wrap.

Taschen, Koln, 1993. Softcover. Very Good Condition. The Japanese garden, like all gardens, is more than mere nature; it is nature crafted by man. It needs the hands of the designer to give it meaning. The Japanese garden belongs to the realm of architecture; at its best, it is nature as art. The phases of its history document the constant redefinition of man's position within and towards nature. Its changing forms respond both to socio-economic developments and to the religio-philosophic trends and thereby reflect the spiritual climate in which its architecture was conceived. At the same time as detailing the characteristics distinguishing and differentiating each of the five major epochs in the history of the Japanese garden, the author also identifies the common motif which underlies them all; the recurrent attempt to unite beauty as natural accident and beauty as human-perfected type, to achieve an aesthetic symbiosis between the seeming randomness of natural form and the strict geometry… Read More

Benedikt Taschen, 1993. Book. Very Good. Soft cover. Large book 239pp. Slight edgewear and creasing to cover. Numerous illustrations..