The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene
by Celine Parreñas Shimizu
- Used
- Very Good
- Paperback
- first
- Condition
- Very Good
- ISBN 10
- 082234033X
- ISBN 13
- 9780822340331
- Seller
-
Brooktondale, New York, United States
Payment Methods Accepted
About This Item
Softcover volume, measuring approximately 6.25" x 9", displays light shelfwear. Binding is firm. Pages are clean and bright. xii/339 pages.
"In "The Hypersexuality of Race," Celine Parreñas Shimizu urges a shift in thinking about sexualized depictions of Asian/American women in film, video, and theatrical productions. Shimizu advocates moving beyond denunciations of sexualized representations of Asian/American women as necessarily demeaning or negative. Arguing for a more nuanced approach to the mysterious mix of pleasure, pain, and power in performances of sexuality, she advances a theory of "productive perversity," a theory which allows Asian/American women—and by extension other women of color—to lay claim to their own sexuality and desires as actors, producers, critics, and spectators.
Shimizu combines theoretical and textual analysis and interviews with artists involved in various productions. She complicates understandings of the controversial portrayals of Asian female sexuality in the popular Broadway musical "Miss Saigon" by drawing on ethnographic research and interviews with some of the actresses in it. She looks at how three Hollywood Asian/American femme fatales—Anna May Wong, Nancy Kwan, and Lucy Liu—negotiate representations of their sexuality; analyzes 1920s and 1930s stag films in which white women perform as sexualized Asian characters; and considers Asian/American women's performances in films ranging from the stag pornography of the 1940s to the Internet and video porn of the 1990s. She also reflects on two documentaries depicting Southeast Asian prostitutes and sex tourism, "The Good Woman of Bangkok" and "101 Asian Debutantes." In her examination of films and videos made by Asian/American feminists, Shimizu describes how female characters in their works reject normative definitions of race, gender, and sexuality, thereby expanding our definitions of racialized sexualities in representation."
"In "The Hypersexuality of Race," Celine Parreñas Shimizu urges a shift in thinking about sexualized depictions of Asian/American women in film, video, and theatrical productions. Shimizu advocates moving beyond denunciations of sexualized representations of Asian/American women as necessarily demeaning or negative. Arguing for a more nuanced approach to the mysterious mix of pleasure, pain, and power in performances of sexuality, she advances a theory of "productive perversity," a theory which allows Asian/American women—and by extension other women of color—to lay claim to their own sexuality and desires as actors, producers, critics, and spectators.
Shimizu combines theoretical and textual analysis and interviews with artists involved in various productions. She complicates understandings of the controversial portrayals of Asian female sexuality in the popular Broadway musical "Miss Saigon" by drawing on ethnographic research and interviews with some of the actresses in it. She looks at how three Hollywood Asian/American femme fatales—Anna May Wong, Nancy Kwan, and Lucy Liu—negotiate representations of their sexuality; analyzes 1920s and 1930s stag films in which white women perform as sexualized Asian characters; and considers Asian/American women's performances in films ranging from the stag pornography of the 1940s to the Internet and video porn of the 1990s. She also reflects on two documentaries depicting Southeast Asian prostitutes and sex tourism, "The Good Woman of Bangkok" and "101 Asian Debutantes." In her examination of films and videos made by Asian/American feminists, Shimizu describes how female characters in their works reject normative definitions of race, gender, and sexuality, thereby expanding our definitions of racialized sexualities in representation."
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Details
- Bookseller
- Palimpsest Scholarly Books (US)
- Bookseller's Inventory #
- 1820
- Title
- The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene
- Author
- Celine Parreñas Shimizu
- Book Condition
- Used - Very Good
- Quantity Available
- 1
- Binding
- Paperback
- ISBN 10
- 082234033X
- ISBN 13
- 9780822340331
- Publisher
- Duke University Press
- Place of Publication
- Durham
- Date Published
- 2007
- Keywords
- Cinema, Cultural Studies
Terms of Sale
Palimpsest Scholarly Books
30 day return guarantee, with full refund including original shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged. Packages are shipped USPS. New York state purchases will also be charged state tax.
About the Seller
Palimpsest Scholarly Books
Biblio member since 2017
Brooktondale, New York
About Palimpsest Scholarly Books
Palimpsest Scholarly Books & Services is a new online bookstore founded and managed by Dr. Raul Delgado-Rodriguez, a Harvard-trained comparatist. It specializes in the buying and selling of scholarly and rare books, as well as providing services for collectors of such books, including the appraisal of private collections. We have titles across a broad range of fields and cultures. We specialize in providing uncommon foreign-language works.
Glossary
Some terminology that may be used in this description includes:
- Shelfwear
- Minor wear resulting from a book being place on, and taken from a bookshelf, especially along the bottom edge.