Frith's India Photo Pictures (cover title) by Frith, Francis - 1850

Atlantic Beach, Florida:: Linda Broadfoot,, 2005.. Edition of 50. A combination of handset letterpress and computer generated work. Letterpress was used to print the text using metal type on a flat bed press on a Vandercook Universal III using Hahnemuhle Biblio and Copperplate papers at the Letterpress & Foundry of Michael and Winifred Bixler. Then digitally reproduced small Giclée prints of the artist's original 20 x 24" Polaroid image transfers were printed archivally on Crane's Museo paper using an Epson 4000 printer. A modern day Cabinet of Wonders. Broadfoot uses A. S. Byatt's "Things Are Not What They Seem" to accompany her images as "a numinous guide to viewing" these wonders of nature. The insects shown were selected from the Florida State Collection of Arthropods. Broadfoot: "In the spring of 2001, I began to borrow insect specimens from the Florida State Collection of Arthropods. Carefully transporting this delicate cargo to… Read More

Hartford.: James Thrall Soby; Cahiers d'Art Hartford, CT; Paris: James Thrall Soby; Cahiers d'Art, 1934., 1934. First edition. Paperback. Very Good. First edition, second issue. Folio. [14]pp (Text), 104pp (plates), [2]pp. Original plastic spiral bound colour photographically illustrated stiff wrappers. 104 gravure plates. Covers a little rubbed and thumbed, plastic spiral entire and intact. In custom-made drop-box.

Los Angeles: Art Center School, 1941. 1st Edition . Hardcover. Fine. Photographs. 35 Pages In Red Plastic Binder, 13" X 10 1/4" With White Plastic Comb Spine. The Book Consists Of 32 Pages Of Photographic Paper On Card, Each With A 10 1/4" X 8 3/8" High Quality Photographic Image At Top On Each Side, Documenting All Kinds Of Class Settings In The Studios And In Outside Locations, And 3 Pages Of The Same Paper Each With Four 4 3/4" Square Photographs Attached To The Pages On Each Side, Portraits Of The Teachers, For A Total Of 88 Photographs. There Is No Text Or Writing Of Any Kind Anywhere In The Book, But It Is Very Similar To A Set Of Pages In The Art Center School Of Design Archives In Pasadena, Punched For A Spiral Binding But Unbound, Having Four More Pages Than This Set, But Lacking Some Of The Photographs Present Here. Ansel Adams Is Shown Instructing Many Of The Classes, As Are Fred Archer, Clarence Bull, James H. Doolittle, Edward Kaminski, Paul Dorsey, C. K. Eaton, Otto Hulmer, A B… Read More

Berlin: im Deutschen Verlag,, 1937. SIGNED AND INSCRIBED BY AUTHOR at half-title page - " Arthur Kiekebusch su wiedersehen 1937 herrlich (?) Leni Riefenstahl". Arthur Kiekebusch was a German production manager and director, best known for the 1920 silent film "The Woman in the Dolphin" starring Bela Lugosi. He was the assistant production manager, with responsibility for all cameras and lenses, on Riefenstahl's film "Olympia" from which the photographs in this book were taken. He also worked with Leni on her 1935 film "Triumph of the Will" as unit manager and head cameraman. The First Edition book is Very Good Minus, boards bowed, cloth rubbed at corners and spine ends, prior owner name and US address front end page, hinges starting, lacking the dust jacket . Regardless, given their close working relationship, an important and historic association copy in German film making.. SIGNED AND INSCRIBED BY AUTHOR. First Edition. Cloth. Very Good Minus/No Jacket.… Read More

Album with 52 photographs – each ca 220 x 280 mm – on black cardboard mounts showing clocks, mantelpieces, wall appliques, lanterns, chandeliers, bronzes and candelstands cast by the atelier of Henri Vian in Paris. Each photograph with numbers and dimensions of objects in the negativ. A number of plates with pencilled annotations on back of mounts, with numbering and sometimes dimensions of objects. Cont. calf, with an all over decoration of floral elements. Spine on five raised bands. Covers framed by double gilt fillets. Foot of spine stamped H. Vian / Paris. Folio (460 x 370 mm). Slightly rubbed, extremeties worn. Henri Vian (1860-1905), a bronze-caster active in the second half of the 19th century, was specialized in the production of bronzes, light fittings, chandeliers, chimney mantelpieces, ormolu and patinated-mounted vases always of very fine quality. The business, located at 5 rue de Thorigny in Paris (the Salé Mansion, now the Picasso Museum), was continued by Madame Vian after her… Read More

Atlantic Beach, Florida:: Linda Broadfoot,, 2005.. Edition of 50. A combination of handset letterpress and computer generated work. Letterpress was used to print the text using metal type on a flat bed press on a Vandercook Universal III using Hahnemuhle Biblio and Copperplate papers at the Letterpress & Foundry of Michael and Winifred Bixler. Then digitally reproduced small Giclée prints of the artist's original 20 x 24" Polaroid image transfers were printed archivally on Crane's Museo paper using an Epson 4000 printer. A modern day Cabinet of Wonders. Broadfoot uses A. S. Byatt's "Things Are Not What They Seem" to accompany her images as "a numinous guide to viewing" these wonders of nature. The insects shown were selected from the Florida State Collection of Arthropods. Broadfoot: "In the spring of 2001, I began to borrow insect specimens from the Florida State Collection of Arthropods. Carefully transporting this delicate cargo to… Read More

Hartford.: James Thrall Soby; Cahiers d'Art Hartford, CT; Paris: James Thrall Soby; Cahiers d'Art, 1934., 1934. First edition. Paperback. Very Good. First edition, second issue. Folio. [14]pp (Text), 104pp (plates), [2]pp. Original plastic spiral bound colour photographically illustrated stiff wrappers. 104 gravure plates. Covers a little rubbed and thumbed, plastic spiral entire and intact. In custom-made drop-box.

Atlantic Beach, Florida:: Linda Broadfoot,, 2014.. Edition of 30. Box 6.5 x 7 x 9.5" containing ten 5 x 7.5 x .5" double-sided panels. Poems letterpress printed on Hahnemühle Ingres paper using Perpetua type cast by Michael & Winifred Bixler. Text overprinted with a transparent honeycomb pattern. Archival pigment print images on Hahnemühle Photo Silk Baryta paper. Images and poems mounted on Russian birch plywood, foreedges coated with beeswax, and encased within a fabricated one-half scale maple Langstroth beehive box structure. Title and bee image engraved on the cover. Title page mounted on the interior side of the lid. Signed and numbered. Hive was produced over the course of two years and contains nine poems from The Bees by Carol Ann Duffy with images and design by Linda Broadfoot. Linda Broadfoot: "Hive was created to reveal the wonder of sunlit bees in the air and the mystery of the hive. The images and the physical structure of the book came from my… Read More

Berlin: im Deutschen Verlag,, 1937. SIGNED AND INSCRIBED BY AUTHOR at half-title page - " Arthur Kiekebusch su wiedersehen 1937 herrlich (?) Leni Riefenstahl". Arthur Kiekebusch was a German production manager and director, best known for the 1920 silent film "The Woman in the Dolphin" starring Bela Lugosi. He was the assistant production manager, with responsibility for all cameras and lenses, on Riefenstahl's film "Olympia" from which the photographs in this book were taken. He also worked with Leni on her 1935 film "Triumph of the Will" as unit manager and head cameraman. The First Edition book is Very Good Minus, boards bowed, cloth rubbed at corners and spine ends, prior owner name and US address front end page, hinges starting, lacking the dust jacket . Regardless, given their close working relationship, an important and historic association copy in German film making.. SIGNED AND INSCRIBED BY AUTHOR. First Edition. Cloth. Very Good Minus/No Jacket.… Read More

Album with 52 photographs – each ca 220 x 280 mm – on black cardboard mounts showing clocks, mantelpieces, wall appliques, lanterns, chandeliers, bronzes and candelstands cast by the atelier of Henri Vian in Paris. Each photograph with numbers and dimensions of objects in the negativ. A number of plates with pencilled annotations on back of mounts, with numbering and sometimes dimensions of objects. Cont. calf, with an all over decoration of floral elements. Spine on five raised bands. Covers framed by double gilt fillets. Foot of spine stamped H. Vian / Paris. Folio (460 x 370 mm). Slightly rubbed, extremeties worn. Henri Vian (1860-1905), a bronze-caster active in the second half of the 19th century, was specialized in the production of bronzes, light fittings, chandeliers, chimney mantelpieces, ormolu and patinated-mounted vases always of very fine quality. The business, located at 5 rue de Thorigny in Paris (the Salé Mansion, now the Picasso Museum), was continued by Madame Vian after her… Read More