From the Classicists to the Impressionists by Holt, Elizabeth Gilmore

Knopf Doubleday Publishing Group. Used - Good. Used book that is in clean, average condition without any missing pages.

Doubleday Anchor, 1966. Mass Market Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Doubleday, 1980. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Doubleday Anchor. Used - Good. Good condition. Owner's name on inside.

Yale University Press, 1986. Paperback. Good. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Anchor Books, 1966. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Yale University Press, 1986-09-10. Paperback. Good. Ex-museum library. Hardbound without dust jacket. Pages unmarked, modest wear.

Garden City : Anchor Books/Doubleday & Co., Inc., 1966. First Edition/Unknown Printing. Paperback. Very Good + /N/A. A nice square copy with some faint spotting and creasing to spine, and a few light stains. Faint foxing to top page ends. Sharp corners, clean interior and tight binding. Illustrated. Anchor Book #A114C. Cover art by Edward Gorey.

Uniform series of tiny corner creases running along the top edge. Interior pages are clean and unmarked. Spine is a bit slanted, but the binding is firm. Light edge and corner wear, but nothing very bad.

Doubleday, 1980. Paperback. Good. During the nineteenth century institutions and attitudes gave way to new fo rms and relationships. Traditions in governmental and social institutions, traditions in social behavior and processes of production, traditions in me thods and materials of construction in architecture and in modes of of repr esentation in the visual arts were discarded. The nineteenth-century artist were therefore called upon to devise forms that would be expressive of Eur opean life which was transforming itself into the industrial and technologi cal age of the twentieth century.