Atlas- Smith (Charles) Smith's New General Atlas, containing distinct maps of all the Principal Empires, Kingdoms, & States throughout the World carefully delineated from the best Authorities extant. by Smith, Charles - 1808

Good+ hard cover. Limited edition of 100 copies; signed by the artist. Black sand-grain cloth over bevel-edged boards, gilt stamped title on front cover; 9 lithographs of ink drawings in passe-partout framing recto with tissue-guards verso with text printed in Latin, German, English and French. Covers are lightly scuffed; clean but front cover has faint damp staining near top edge; front cover title gilt has some chipping; rubbing wear at spine ends with light fraying; tightly bound; all prints and text present and in very good condition. Title page has artist's full signature in pencil with date that appears to be 1925 (see photo). The artist was born 1906 and so would be 19 years of age if 1925 is correct. Large 4to (31 x 24 cm).

Extra-illustrated with signed Walpole pension document dated August 1791; Dark blue crushed morocco; 5 raised bands; gilt inner dentilles; red moire pastedown and fly by Pfister. ; 8vo ; All shipments through USPS insured Priority Mail. .

Irving, Washington (1783-1859) as "Diedrich Knickerbocker." A History of New York, From the Beginning of the World to the Dutch Dynasty, Containing Among Many Surprising and Curious Matters, the Unutterable Ponderings of Walter the Doubter, the Disastrous Projects of William the Testy, and the Chivalric Achievements of Peter the Headstrong, the three Dutch Governors of New Amsterdam; being the only Authentic History of the Times that ever hath been, or will be Published. New York: Inskeep & Bradford et al. Two volumes. *In Riviere Binding*. xxiv, 268 pp; [2] 258 pp.Folding panorama of New Amsterdam follows the preface in Vol I. In tan cloth slip case.One of 2,000 published, first edition first printing. In Riviere Binding. From the library of Harold Murdock (1862-1934), a Boston banker, bibliophile, book collector, student of the American revolution and later the Director of Harvard University Press. (per morocco bookplate "Omnia Pro Bono H.M."). Subsequently, from the library of Virginia bibliophile… Read More

D' après des documents inédits. Tome premier: xviii+276 pp. Tome second: 392 pp. 25,2x16,5 cm. Chez Jules Renouard et Cie, Libraires, Paris, 1854.
Mixtes techniques d'illustration. Un des premiers livres illustrés par la photographie, contenant deux calotypes sur papier fin monté. Il contient 7 pp. de fac-similé reproduisant une description d'Athènes par un anonyme vers 1460 + 24 gravures h.t. et quelques dans le texte, sur bois, cuivre ou lithographiées, dont plusieurs repliées, avec une eau-forte originale de Ch. Méryon représentant le couvent des Capucines à Athènes, spécialement gravée pour cet ouvrage.
--- Half-leather (private binding, morocco leather), marbled endpapers. Light edgewear. Occasianal foxing. Tight binding, original paper covers are included. Pages clean of underlinings or notes. Very impressive engravings, a rare edition. (More photos are available)
--- Simon Joseph Léon Emmanuel, Marquis de Laborde (1807-1869) was a French archaeologist and politician. At the… Read More

Strasbourg: Argentinae: Ex officina Martini Flach junioris, 1501. Half leather. Fine. Folio, printed in Strassburg by Martin Flach, 7 February 1501; 161 unnumbered leaves. BINDING: new Gothic hand-sewn oak binding by Arthur Green of Malvern; tawed quarter leather over quarter-sawn oak boards, quires hand-sewn on four double-cords creating four raised spine bands, board leather blind-tooled with period style rosettes and fleurs-de-lys within panel of diagonal blind triple fillets, hand-sewn Gothic double headbands of alternate hand-dyed indigo and undyed linen thread, hand-made brass hasps and clasps ornamented in period style; an exceptionally attractive recreation of a Gothic hand-sewn binding employing medieval techniques contemporaneous with the date the book was printed. COLLATION: [pi]6, a2-8, b-y6, z8, zeta6, antisigma8; leaf a1 excised and subsequent first few lines of a2[recto] redacted in black ink in the sixteenth century by the inquisitor for its heretical content (see below). TEXT: Double… Read More

Good+ hard cover. Limited edition of 100 copies; signed by the artist. Black sand-grain cloth over bevel-edged boards, gilt stamped title on front cover; 9 lithographs of ink drawings in passe-partout framing recto with tissue-guards verso with text printed in Latin, German, English and French. Covers are lightly scuffed; clean but front cover has faint damp staining near top edge; front cover title gilt has some chipping; rubbing wear at spine ends with light fraying; tightly bound; all prints and text present and in very good condition. Title page has artist's full signature in pencil with date that appears to be 1925 (see photo). The artist was born 1906 and so would be 19 years of age if 1925 is correct. Large 4to (31 x 24 cm).

Extra-illustrated with signed Walpole pension document dated August 1791; Dark blue crushed morocco; 5 raised bands; gilt inner dentilles; red moire pastedown and fly by Pfister. ; 8vo ; All shipments through USPS insured Priority Mail. .

D' après des documents inédits. Tome premier: xviii+276 pp. Tome second: 392 pp. 25,2x16,5 cm. Chez Jules Renouard et Cie, Libraires, Paris, 1854.
Mixtes techniques d'illustration. Un des premiers livres illustrés par la photographie, contenant deux calotypes sur papier fin monté. Il contient 7 pp. de fac-similé reproduisant une description d'Athènes par un anonyme vers 1460 + 24 gravures h.t. et quelques dans le texte, sur bois, cuivre ou lithographiées, dont plusieurs repliées, avec une eau-forte originale de Ch. Méryon représentant le couvent des Capucines à Athènes, spécialement gravée pour cet ouvrage.
--- Half-leather (private binding, morocco leather), marbled endpapers. Light edgewear. Occasianal foxing. Tight binding, original paper covers are included. Pages clean of underlinings or notes. Very impressive engravings, a rare edition. (More photos are available)
--- Simon Joseph Léon Emmanuel, Marquis de Laborde (1807-1869) was a French archaeologist and politician. At the… Read More

Beautifully signature-bound in publisher's raw tan linen; front board & spine decoratively lettered; decorative endpapers. Generally, a very good or better set with signature satiric & anarchistic illustrations. One of the most important illustrated radical periodicals. Artists include but are not limited to: A. Roubille, Gustave-Henri Jossot, Konrad-Wagner, Valery Muller, Hermann-Paul, Leonetto Cappiello, Jules Cheret, Juan Gris, Jules-Alexandre Grun, Jossot, Frantisek Kupka, Paul Iribe, Theophile-Alexandre Steinlen, Orazi, Adrien Barrere, Poulbot, H. G. Ibels, Kees van Dongen, Armand Gallo, Ricardo Flores, and many others. Being a periodical that did not shy away from less attractive topics, they covered such topics as crime, economy, leisure and travel, politics, current events, international relations, religion, health and even the Press itself. Color and black and white illustrations copiously throughout. Vol. 1, 2, and 9: front board and spine are beginning to detach but are still sturdy. 10 1/4… Read More

Strasbourg: Argentinae: Ex officina Martini Flach junioris, 1501. Half leather. Fine. Folio, printed in Strassburg by Martin Flach, 7 February 1501; 161 unnumbered leaves. BINDING: new Gothic hand-sewn oak binding by Arthur Green of Malvern; tawed quarter leather over quarter-sawn oak boards, quires hand-sewn on four double-cords creating four raised spine bands, board leather blind-tooled with period style rosettes and fleurs-de-lys within panel of diagonal blind triple fillets, hand-sewn Gothic double headbands of alternate hand-dyed indigo and undyed linen thread, hand-made brass hasps and clasps ornamented in period style; an exceptionally attractive recreation of a Gothic hand-sewn binding employing medieval techniques contemporaneous with the date the book was printed. COLLATION: [pi]6, a2-8, b-y6, z8, zeta6, antisigma8; leaf a1 excised and subsequent first few lines of a2[recto] redacted in black ink in the sixteenth century by the inquisitor for its heretical content (see below). TEXT: Double… Read More