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Amsterdam, Andreas Frisius, 1664. Small 12mo. (32 pp - including the engraved titlepage and the titlepage), 151 pp, (26 pp.). 9 full page plates and 2 folding plates. Contemporary calf binding (binding solid but top hinge damaged & small bit of leather lost on spine & a cut in the middle of the pages 101/102, without loss). Edges sprinkled red.Two ex-libris pasted on inside front cover, name of the top one erased. A manuscript note on the inside back cover says: "A M. Rabault de Vilers, auditeur des Comptes à Paris en 1775. "Il a vû casser toutes les cloches de France pour en faire du caon et des solz. Ne voyez jamais un pareil temps."This work on bells and their religious and secular uses by Girolamo Maggi (c. 1523 - 1572) was first published in Hanau in 1608. This is the second edition with notes by François Sweerts (1567-1629). It describes the invention of the bell and discusses bells in public and private spaces, towers with bells like the Turis Garisenda and the tower of Pisa - illustrated.…
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De tintinnabulis. Liber postumus.
by MAGGI, GIROLAMO.
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Fantaises florales. Ouvrage renfermant trente-deux planches en phototypie.
by MAGNIANT, MAURICE.
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Paris, Laurens, n.d. (190?). (iii) pp texts + 32 plates. All plates printed on the recto only and double page. All plates mounted on stubs. Original publisher's cloth binding (c. 21 x 28 cm). (binding with some light staining from water, espcially on the spine, Interior clean. Text pages browned, plates nice and clean). Scarce work that shows thirty-two flower inspired designs in pure art nouveau style. It seems to have been published in a small edition. Some copies have loose plates in a portfolio. Ours is bound in a publisher's binding. There seems to have been a limited edition of 500 copies but ours is not numbered. In the introduction the author says that he would like this to be an inspiration for designers.
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Bibliotheca ex Omni Facultate Librorum quos reliquit Reverendus Dominus Carolus Major, dum viveret Ecclesiæ Metropolitanæ Sancti Rumoldi Mechliniae, Canonicus Zellariensis, nec non Academiæ Erfordiensis Socius &c. Quorum auctio publica habebitur in domo ejusdem mortuaria (supra Milanam sita) Mechliniæ die 27. Aprilis & seq. 1767.
by (MAJOR, C.).
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Mechelen, J.F. vander Elst, 1767. 8vo. Two volumes. (6)-xviii-315-(1 ff.); (2)-317-658, (66) pp. Early 20th century half cloth, red speckled boards. Red leather spine label with gilt titling.Uncommon and scarce catalogue of the important library of Carolus Major (16.. - 1766). Major, a well-known book collector, was a canon in Mechelen and known as "the Van Hulthem of his time". The sale of his collection was one of the major sales in the Low Countries of the period. Archer Taylor mentions the catalogue: "Catalogues are of course very good reflections of tastes and interests in book-collecting. One example that concerns books considered as physical objects without regard to their contents will be sufficient. The Bibliotheca ex omni facultate librorum quos reliquit reverendus dominus Carolus Major (Mechlin, 1767: at [the Lindesiana copy]) contains (pp. 655-658) a "Musaeolum peregrinantium, seu bibliotheca ambulatoria in formis minimis," listing 58 titles. This is, in other words, a collection of tiny…
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De re libraria selecta Quaedam. Auspiccius diviniset superiorum iussu pro loco in amplissimo collegio philosophico more maiorum rite obtinendo praeses M. --- Slaiza - Variscus resprondente Ionne Matthia Wendio Lubecensi selenni eamini submittet a.d. XXI, D.
by MARQUART, HEINRICH SIGISMUND / WENDIUS JOHANNES MATTHIAS.
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1691. No place, no date, but Jenae, Georg Heinrich Müller, (1691). 24pp. No wrappers (as issued), but decorated paper spine. Wrinkled throughout. Dissertation in Latin. (OCLC only shows copies in Europe, none in US libraries).
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Taquigrafia Castellana o Arte de Escribir con tanta velocidad como se habla, con la misma claridad que la escritura comun... Segunda ediccion: corregida y aumentada por el mismo autor, con varias observaciones hechas desde el primer cuso hasta la Presente.
by MARTI, FRANCISCO DE PAULA.
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1803. (1803). Second illustrated edition, (Madrid), imprenta de la viuda de Vallin, calle de Bordadores, 1813. 88pp + 12 plates. In a hcalf binding. Marbled bds. (bds rubbed & damaged, but repaired). Decorated spine (rubbed). (2nd flyleaf has a small tear). On an early system of stenography, specifically devised for the Spanish phonetics. The author, a member of the Economical Society of Madrid and of the Academy of San Fernando, proposes a syllabic system of transcription, whereas the systems previously elaborated were literary. In the introduction the author discusses in detail the stenographic methods elaborated in England and France and their drawbacks concerning their application to the Spanish language. The last paragraph discusses the form of the pens conceived by Marti for his tachygraphic system. These pens are depicted on plate 12. Of this title several editions as well as a translation into Portuguese were published.
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Bibliotheca Meermanniana; sive catalogus librorum impressorum et codicum manuscriptorum, quos maximan pertem collegerunt... Gerardus et Joannes Meerman.
by (MEERMAN, GERARD & JOHAN).
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1824. The Hague, S. & J. Luchtmans et al, 1824. 4 parts bound in 2 volumes. Halftitle, (xiv), 378pp; (ii),210pp; Halftitle (vi),217, 221, (ii),182, (i)pp. Vol. 1/2 and 3/4 have collective half-titles. 8vo. Dark half morocco, marbled boards. With the exlibri of Bob Luza Collectie Buijnsters Smets and with the separately published pricelist of the sale of this important collection. (viii), 186 pp. Uncut. Original blue boards. Loosely added the rare exlibris of the Bibliotheca Westreeniana. A very fine copy of this important catalogue. The four volumes of this collection bound in two plus the separately published pricelist. The complete five volumes of the magnificent library of Baron Gerard Meerman (1722 - 1771) and his son Jan (1753 - 1818), both of whom did extensive research in the history of printing. Sir Thomas Phillipps bought much material from this sale, particularly from the manuscript portion. Many of the manuscripts came from the Collège the Clermont, once the property of the Jesuits in…
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Catalogus codicum manuscriptorum quos reliquit vir nobilissimus, Johan Meerman, dominus a Dalem et Vuren.
by (MEERMAN, GERARD & JOHAN).
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1824. (The Hague), 1824. 8vo. 182,(i) pp. Original white printed wrappers. The separately published part four of the auction catalogue of the Bibliotheca Meermannia, the magnificent library of Baron Gerard Meerman (1722 - 1771) and his son Jan (1753 - 1818), both of whom did extensive research in the history of printing. The collection was sold in The Hague in 1824. Sir Thomas Phillipps bought much material from this sale, particularly from the manuscript portion. Many of the manuscripts came from the Collège the Clermont, once the property of the Jesuits in Paris. The present catalogue of the manuscripts describes 1100 MSS and the whole sale realized more than 131,000 guilders, of which almost 32,000 for the manuscripts alone.
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Status Militiae Germanorum Principalis et Accessoriae Veteris et Medii Aevi Quem Ad Illustrationem Juris Publici et Feudalis Germanici Ex Veterum Monumentis.
by METTINGH, BERN. CLEM.
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1742. Altona, Henrici Christ. Hüllen et Heredum, 1742. Title in red & black, (vi),671pp. 4to. Contemporary stiff vellum binding. First edition. Jähns 1888: Detailed work on the history of the army in Germany. An important standard work, thoroughly researched, well organized and rich in quotes from acts and in many respects still an important work.
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The whole art of bookbinding / The whole process of marbling paper. Reprinted from the original editions, with a foreword by Bernard C. Middleton and twelve specimens of marbled paper and notes by Richard J. Wolfe.
by MIDDLETON, BERNARD C. & RICHARD J. WOLFE.
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1987. Austin, W. Thomas Taylor, 1987. 8vo. vii, 89, [3] pp. With twelve tipped-in marbled paper samples with tissue-guards. In the publisher's textured salmon paper-covered boards and gilt-stamped brown cloth spine. The first re-edition of the earliest English bookbinding manuals, both are extremely rare in the original edition. One of 500 copies only.
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Galerie. Compositions avec écritures anciennes et modernes exécutées à la plume...
by MIDOLLE, JEAN.
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Strasbourg, E. Simon Fils, 1834-1835. 40 lithographed plates (including title). (title & 37 plates numbered 2-38.Our copy does not have a plate 39 or 40. Plate 39 is replaced by the titlepage of Album du Moyen Age.... and plate 40 shows the Cathedral of Strasbourg from the same album, numbered plate 40). Are there two plates lacking and replaced by two others? It seems there never was a plate 39. (see Bonacini 1182 but with date of c. 1840). (plates 22-33 browned).
(Bound with): Spécimen des ecritures modernes comprenenat les romaines fleuronnées, Gothiques nouvelles, Fractures, Françaises, Anglaise, Italienne et Allemande. Executées à la plume par Jean Midolle. Gravées sur pierre et publiées à la lithographie de F. Emile Simon Fils à Strasbourg, 1834-1835. 40 lithographed plates (title & 39 plates numbered 1-40). (plates 14 & 15 inverted, plates 24-31 browned, plate 34 with a small tear in the margin).
(Bound with): Ecritures Anciennes d'après des manuscrits & les meilleurs ouvrages… Read More
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Bibliotheca Coisliniana, olim Segueriana, sive manuscriptorum omnium Graecorum, quae ea continentur, accurata descriptio...
by MONTFAUCON, B. DE.
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Paris, L. Guérin et Charles Robustel, 1715. Folio. (12) ff, 810 pp. Five engraved plates, two finely engraved headpieces, & several engravings in the text (some full-page). Half red calf binding, marbled boards. Binding very rubbed and top of spine damaged, but a lovely, clean, uncut copy of this very scarce catalogue.First edition of this monumental catalogue of the collection of Greek manuscripts owned by Henri-Charles du Cambout de Coislin, bishop of Metz (1664 - 1732) and formed by his great grandfather Pierre Séguier, chancellor of France (1588 - 1682). Coislin commisioned Bernard de Montfaucon, founder of Greek paleography, to compile the catalogue, an extraordinary piece of scholarship. Archer Taylor says: "The manuscripts were given to the abbey of St. Germain des Prés in 1731 and are now in the Bibliothèque Nationale" (Book catalogues p. 237). [c.f. Graesse IV, 591; Peignot, pp. 89-90 -"Catalogue précieux; le nombre des manuscrits dont le rédacteur donne la description, est d'environ…
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Nouveau traité pour la culture des fleurs, qui enseigne la manière de les cultiver, multiplier, & les conserver selon leurs especes: avec leur proprietez merveilleuses, & leurs vertues medicinales.
by MORIN, PIERRE.
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Paris, Charles de Sercy, 1678. Small 8vo. (7 ff), 199, (1) pp. Original mottled calf binding, spine goldtooled, edges sprinkled red. A good copy.Second edition, the first was published in 1674. The author is named in the privilege at the end of the work. Pierre Morin (the younger or the third) was a gardener who was active in Paris between 1650 and 1690. He was the youngest of three brothers (Pierre - the elder, René and our Pierre - the younger). They inherit their taste for plants and flowers from their father. According to Wikipedia John Evelyn visits Morin's garden (father) in the Marais in Paris in 1644 and describes it: "The next morning, I was had by a friend to the garden of Monsieur Morine, who, from being an ordinary gardener, is become one of the most skilful and curious persons in France for his rare collection of shells, flowers, and insects. His garden is of an exact oval figure, planted with cypress, cut flat and set as even as a wall : the tulips, anemones, ranunculuses, crocuses,…
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Nouveau traité pour la culture des fleurs, qui enseigne la manière de les cultiver, multiplier, & les conserver selon leurs especes: avec leur proprietez merveilleuses, , & leurs vertues medicinales.
by MORIN, PIERRE.
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Paris, Charles de Sercy, 1678. Small 8vo. (7 ff), 199, (1) pp. Original mottled calf binding, spine goldtooled, edges sprinkled red. A good copy.Second edition, the first was published in 1674. The author is named in the privilege at the end of the work. Pierre Morin (the younger or the third) was a gardener who was active in Paris between 1650 and 1690. He was the youngest of three brothers (Pierre - the elder, René and our Pierre - the younger). They inherit their taste for plants and flowers from their father. According to Wikipedia John Evelyn visits Morin's garden (father) in the Marais in Paris in 1644 and describes it: "The next morning, I was had by a friend to the garden of Monsieur Morine, who, from being an ordinary gardener, is become one of the most skilful and curious persons in France for his rare collection of shells, flowers, and insects. His garden is of an exact oval figure, planted with cypress, cut flat and set as even as a wall : the tulips, anemones, ranunculuses, crocuses,…
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The Fleuron. A journal of typography. No. V.
by MORISON, STANLEY (ed).
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Cambridge & New York, 1926. (xiii), 205, (19) pp. Full cloth binding designed by Emil Rudolf Weiss who also designed the endpapers. (corners and bottom and top of spine a bit bumped). Edition limited to 1370 copies, this is one of 1250 copies on antique laid.The Fleuron is considered to be one of the most notable typographic journals of the twentieth century. It achieved an international reputation not only for the quality of its articles but also for the quality of its production. As quoted by Grant Shipcot in 'Typographical Periodicals Between the Wars', the core of contributors to 'The Fleuron' were also "taking the typographical initiative of the time; this was particularly true of Stanley Morison, who as typographical adviser to the Monotype Corporation and later to Cambridge University Press exerted a very great influence." Among the contributors of the present volume we find Julius Rodenberg on Klinspor with lists of books and several tipped in type and page specimens by Koch, Harwerth etc. ;…
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Vingt artistes Du Livre. Avec Une Introduction De Raymond Cogniat.
by MORNAND, P. & J.R. THOMÉ.
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1950. Paris, 1950. 307,(vi)pp. Illus. in b/w. Separate bibliographies of each artist. Orwrs. (Exlibris Francois Huet on inside front cover). Describes a.o. the work of Marc Chagall, Pierre Falké, Jean Frélaut, Marie Laurencin, André Marchand, Henri Matisse, Pablo Picasso, Georges Rouault etc. Beautiful book.
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Bird & Bull Pepper Pot. Choice bits of uncommon papermaking, publishing and printing history simmered in tasty broth of poetry, current events and amusing anecdotes. Lightly seasoned with a dash of obscenity, and with selected portions of fresh tripe added as in the old original recipe. Prepared with a zestful variety of type faces and served by Henry Morris.
by MORRIS, HENRY.
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1977. Bird & Bull Press, 1977. Printed on dampened handmade paper. 84pp. Quarter bound in Oasis by E.G. Parrot. No. 101/250 copies, signed Henry Morris.
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L'imagier de Harlem ou la découverte de l'imprimerie. Drame-légende a grand spectacle en cinq actes et dix tableaux. En prose et en vers. Représenté pour la première fois, a Paris sur le théatre de la Porte-Saint-Martin, le 27 décembre 1851.
by MÉRY (JOS.), DE NERVAL (GÉRARD) & LOPEZ (BERNARD).
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1852. Paris, 1852. 102pp. 8vo. Original printed wrappers (heavily damaged & loosening). Heavily foxed throughout & exlibris on inside front wrapper. Among the numerous dramatis personae are: Satan in seven different characters, Koster, Louis XI, Archduke Frederick, Gutenberg, Faust, Schoeffer, Christopher Columbus, and many others. Koster is the hero. [cf. Bigmore & Wyman]
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Collection de dalles tumulaires de la Normadie reproduits par la photographie, d'après les estampes exécutés.
by (PHOTOGRAPHY). MÉTAYER-MASSELIN M. LE.
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1861. Paris / Caen, 1861. viii, 66 pp + 7 photographs and one engraved full-page plate (without the photo portrait of the author that is often missing). Late nineteenth century 3/4 cloth with marbled boards. Original front wrapper bound-in. Foxed throughout.
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De vermakelyke slaa-tuintjes.
by (MUSIC) (SCHONCK, E.J.B.).
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1775. Utrecht, Ten Bosch, 1775. 111 pp. Uncut. New cloth binding. Contains the texts of nine street songs from Amsterdam with many funny annotations.
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Die Deutsche Bücherillustration der Gothik und Frührenaissance (1460-1530).
by MUTHER, RICHARD.
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1884. Erster und Zweiter Band. München und Leipzig, 1884. Folio. 2 vols. bound together in half calf with marbled boards. xvi,297, (v); 263 pp. Richly illus. in b/w. A beautiful copy.
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