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Bonnie and Clyde (Original double weight photograph from the 1967 film)
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Bonnie and Clyde (Original double weight photograph from the 1967 film)

by Arthur Penn (director); Lee Johnson (photographer); Robert Benton, David Newman (screenwriters); Warren Beatty, Faye Dunaway (starring)

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Burbank, CA: Warner Brothers / Seven Arts, 1967. Vintage oversize, double weight, borderless photograph from the set of the 1967 film, showing actor Faye Dunaway brandishing a pistol while director Arthur Penn describes the scene and co-star Warren Beatty looks on. With the stamp of photographer Lee Johnson on the verso. The beginning of the New Hollywood Cinema. Screenwriters Robert Benton and David Newman shopped their script about the notorious 1920s gangsters to every major American studio, then to Francois Truffaut, and then to Jean-Luc Godard, all to absolutely no avail. A young and reckless Warren Beatty, already an established Hollywood bad boy, took an interest and brought on director Arthur Penn and, for a rewrite, screenwriter Robert Towne. According to legend, Beatty begged Jack Warner on bended knee to green light the production, after which the film barely got an initial release. Eventually, due more to studio politics than interest in the film, it received a general release, due… Read More
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The Chase (Still photograph from the 1966 film)

The Chase (Still photograph from the 1966 film)

by Arthur Penn (director); Horton Foote (playwright); John Monte (photographer); Lillian Hellman (screenwriter); Marlon Brando, Jane Fonda, Robert Redford (starring)

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Culver City, CA: Columbia Pictures, 1966. Vintage black-and-white still photograph from the US release of the 1966 film. An underrated, key film for director Penn, something of an intellectual thriller, made between two better known films, "Mickey One" (1965) and "Bonnie and Clyde" (1967). Also, very much an acting tour de force, with early performances by Robert Duvall, Jane Fonda, and Robert Redford, and an exceptional turn by Brando as a town sheriff facing painful choices. The film itself was the subject of am acrimonious struggle for creative control between the director and studio, coincidentally making the production mirror the themes of upheaval of the social order and the fight for freedom within the film story. A story set in Texas, shot partially on location there. 8 x 10 inches. Near Fine.
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Home from the Hill (First Edition, inscribed by the author)
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Home from the Hill (First Edition, inscribed by the author)

by William Humphrey

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New York: Alfred A. Knopf, 1958. First Edition. First Edition. INSCRIBED by the author to poet Ted Weiss on the front endpaper: "To Ted and Renée / with love / Bill / Oct 12 1959." The author's first novel, basis for the 1960 Vincente Minnelli film starring Robert Mitchum, George Peppard, and George Hamilton. Near Fine in a Very Good plus dust jacket. Jacket has a few chips at the corners and spine ends, and a short closed tear on the bottom edge of the front panel.
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LBJ: The Early Years [LBJ] (Original teleplay script for the 1987 television movie)

LBJ: The Early Years [LBJ] (Original teleplay script for the 1987 television movie)

by Peter Werner (director); Ken Trevey, Guerdon Trueblood, Louis Rudolph (screenwriters); Randy Quaid, Patti LuPone, Morgan Brittany, Pat Hingle (starring)

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Burbank, CA: National Broadcasting Company [NBC], 1987. Final Revised Draft script for the 1987 television film. Here under the working title, "LBJ." The years 1934 through 1963 of future president Lyndon Baines Johnson's tumultuous career are chronicled, following his political beginnings, style, and progression to presidency following the assassination of John F. Kennedy. Set in Washington and Texas. Tan titled wrappers, noted as FINAL REVISED DRAFT on the front wrapper. Title page present, noted as REVISED FINAL DRAFT, with credits for screenwriters Ken Trevey, Guerdon Trueblood, and Louis Rudolph, and producers John Brice, and Sandra Saxon Brice. 164 leaves, with last page of text numbered 163. Xerographically reproduced. Pages Near Fine, wrapper Near Fine bound with two gold brads.
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The Library Chronicle of the University of Texas at Austin [New Series Number 40 (First Edition,...

The Library Chronicle of the University of Texas at Austin [New Series Number 40 (First Edition, with a TLS, actress Ruth Ford's copy)

by [Ruth Ford] Dave Oliphant (editor)

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Austin, TX: University of Texas, 1987. First Edition. First Edition. Laid in is a type letter signed by the quarterly's senior editor, Dave Oliphant, on stationery from the university, addressed to Ruth Ford. Oliphant responds to Ford's approval of a recent article he wrote on the archive of actor Zachary Scott, Ford's first husband. Oliphant has also included a Xerox copy of a letter from another admirer of the Scott article, John Dooley, librarian of Bryn Mawr College, trusting the letter to be of interest to Ruth Ford. Also laid in is a "with compliments" slip from the publisher. Included is a copy of the Chronicle from 1970 (New Series Number 2), with an article on the reference materials found in the basement at William Randolph Hearst's' "Journal-American" (1937-1966). Among the materials were various clippings, photographs, and negatives of celebrities, artists, and writers. Zachary Scott was featured prominently in the newspaper, and two negatives are highlighted (both show Scott with wife,… Read More
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Murder on the North Pole Express (First Edition)

Murder on the North Pole Express (First Edition)

by Josh Pachter

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Cincinnati: Crippen and Landru, 2022. First Edition. First Edition. The ninth short story to feature Texas private investigator Helmut Erhard, issued as a pamphlet on Christmas Day, 2022. Fine in side-stapled wrappers.
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Original photograph of the Majestic Theatre in Fort Worth, Texas, circa 1926

Original photograph of the Majestic Theatre in Fort Worth, Texas, circa 1926

by [Movie theatres]

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Fort Worth: United Photo, 1926. Vintage photograph of the Majestic Theatre in Fort Worth, Texas, circa 1926. Stamp of United Photo on the verso. Located at the corner of Commerce Street and East 10th Street, the Majestic opened on November 28, 1911. The theatre was refurbished in 1940, and ultimately closed in 1970. 8 x 10 inches. Very Good plus, lightly toned, with a short closed tear at the bottom edge on the right.
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The Other Side of Texas (Original screenplay for an unproduced film)
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The Other Side of Texas (Original screenplay for an unproduced film)

by [Texas in Fiction] Nick Hurk, Ben Roberts Davis, Nick Pellegrino (screenwriters)

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N.p.: N.p., 1981. Draft script for an unproduced film. The adventures of a man struggling to grow up and pay for the shrimping boat entrusted to him. Autry is lazy and likes to tango with women too much to be a good shrimper. His boss has faith in him but that is quickly slipping away. Set in Texas. Blue blank wrappers with die cut title window. Title page present, dated July 8, 1981, with credits for screenwriters Nick Hurk, Ben Roberts Davis, and Nick Pellegrino. 87 leaves, with last page of text numbered 53. Mechanical duplication. Pages Near Fine, wrapper Near Fine bound internally with three silver brads.
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Roadie (Original photograph of Meat Loaf and Debbie Harry from the 1980 film)

Roadie (Original photograph of Meat Loaf and Debbie Harry from the 1980 film)

by Alan Rudolph (director); Big Boy Medlin (screenwriter); Meat Loaf, Kaki Hunter, Art Carney, Don Cornelius, Gailard Sartain (starring)

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N.p.: N.p., 1980. Vintage reference photograph from the 1980 film, showing actress Debbie Harry playfully "drumming" empty beer bottles, while Meat Loaf looks on to her left. From the archive of film historian and author Joel Finler. A rowdy beer distributor from Texas gets roped into becoming a roadie for a touring rock band. Featuring numerous cameos by real-life bands, including Blondie, Utopia, Alice Cooper, Asleep at the Wheel, Hank Williams Jr., and Roy Orbison. Meat Loaf's first starring role. Shot on location in New York, Texas, and California. 5 x 3.5 inches. Near Fine. Carlson and Connolly, Destroy All Movies. McPadden, Heavy Metal Movies.
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The Texas Chainsaw Massacre (Original photograph of Tobe Hooper and Marilyn Burns on the set of...

The Texas Chainsaw Massacre (Original photograph of Tobe Hooper and Marilyn Burns on the set of the 1974 film)

by Tobe Hooper (director, screenwriter); Kim Henkel (screenwriter); Marilyn Burns, Allen Danziger, Paul A. Partain, William Vail, Gunnar Hansen (starring)

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Austin, Texas: Vortex, 1975. Vintage borderless reference photograph from the 1974 film, showing director Tobe Hooper coaching actress Marilyn Burns in between shots, with cinematographer Daniel Pearl adjusting the camera in the background. With a printed mimeo snipe affixed to the verso. Loosely based on the crimes of serial murderer and body snatcher Ed Gein. Shot on a shoestring budget, with the cast mostly composed of unknown Texan actors, Tobe Hooper's second feature film courted controversy upon release for its grisly violence and critical view of US politics, and is now rightfully considered a slasher cult classic. Set and shot on location in Round Rock, Watterson, Austin, and San Marcos, Texas. 10 x 8 inches. Near Fine. Thrower, Nightmare USA.
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Texas, Li'l Darlin' (Original photograph from the 1949-1950 Broadway musical)

Texas, Li'l Darlin' (Original photograph from the 1949-1950 Broadway musical)

by Kenny Delmar, Mary Hatcher, Danny Scholl, Loring Smith, Alden Aldrich (starring); John Whedon, Sam Moore (playwrights); Will Irwin (musical director)

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N.p.: Studio Productions / Anthony Brady Farrell Productions, 1949. Vintage borderless photograph of actors Mary Hatcher and Danny Scholl from the 1949-1950 Broadway musical. With manuscript pencil annotation on the verso identifying actors Hatcher and Scholl, the name of the musical and the Mark Hellinger Theater where the musical was shown. Also with stamp on the verso identifying photographer Will Rapport. A man from Texas is running for President. His daughter comes home from Chicago to help his campaign and discovers her ex-boyfriend is running against him, leaving her stuck to decide between the two. Set in Texas. 8 x 10 inches. Very Good with some creasing at the corners and wear to the finish.
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Texas by the Tail (First Edition)

Texas by the Tail (First Edition)

by Jim Thompson

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Greenwich, CT: Gold Medal, 1965. First Edition. No. K-1502. First Edition, a paperback original. Cover art by Barye Phillips, who drew many important covers during the vintage paperback era for Avon, Dell, Pocket Books, and after 1955, Bantam. Very Good plus in wrappers. Slight lean, with creases along the spine. Holroyd, p. 285.
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