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5th Avenue Slavechild [Fifth Avenue Slavechild] (Original screenplay for an unproduced film)

5th Avenue Slavechild [Fifth Avenue Slavechild] (Original screenplay for an unproduced film)

by Benny Tao (screenwriter)

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N.p.: N.p., 1985. Second Draft script for an unproduced film. Laid in are two pages: a synopsis, and a handwritten manuscript note, dated March 3, 1985, from the screenwriter. A British pedophile and heroin addict travels to Singapore to adopt a young child, which he secretly plans to imprison and torture, in exchange for financially supporting the child's family. Set in Singapore and England. Beige untitled wrappers. Title page present, dated April 19, 1985, noted as 2ND DRAFT, with credit for screenwriter Benny Tao. 126 leaves, with last page of text numbered 121. Xerographically reproduced, rectos only. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
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ABC's Wide World of Mystery: The Deadly Volley (Original screenplay for the 1975 television episode)

ABC's Wide World of Mystery: The Deadly Volley (Original screenplay for the 1975 television episode)

by Margaret Armen (screenwriter); Beverly Garland, Marian McCargo, William Beckley (starring)

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Los Angeles: American Broadcasting Company [ABC], 1974. First Draft script for the 1975 episode "The Deadly Volley" from the television series "The Wide World of Mystery," first aired on January 27, 1975. An unliked professional tennis team owner is nearly murdered and the team members are all suspects. Blue titled wrappers. Title page present, dated 10/10/74, noted as SECOND DRAFT, with credits for screenwriter Margaret Armen. 92 leaves, with last page of text numbered 88. Mimeograph duplication, with pink and blue revision pages throughout, dated 10/10/74 and 10/11/74. Pages Fine, wrapper Near Fine, bound with two gold brads.
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Abbott and Costello Meet Frankenstein (Original publicity photograph from the 1948 film)

Abbott and Costello Meet Frankenstein (Original publicity photograph from the 1948 film)

by Charles Barton (director); Robert Lees, Frederic I. Rinaldo, John Grant (screenwriters); Bud Abbott, Lou Costello, Lon Chaney Jr., Bela Lugosi (starring)

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Universal City: Universal Pictures, 1948. Vintage publicity photograph from the 1948 film, showing actors Bud Abbott and Lou Costello facing off against Lon Chaney Jr., Bela Lugosi, and Glenn Strange (as the Wolf Man, Dracula, and Frankenstein's monster, respectively). Freight handlers come across the remains of Frankenstein's monster, and soon find themselves caught in a battle between Dracula, who seeks to resurrect the monster, and the Wolf Man, who wishes to thwart Dracula. The first of several horror-comedy films facing off Abbott and Costello against Universal monsters, preceding "Abbott and Costello Meet the Invisible Man" (1951), "Abbott and Costello Meet Dr. Jekyll and Mr. Hyde" (1953), and "Abbott and Costello Meet the Mummy" (1955). 10 x 8 inches. Near Fine.
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The Addiction (Collection of 17 original photographs taken on the set of the 1995 film)
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The Addiction (Collection of 17 original photographs taken on the set of the 1995 film)

by Abel Ferrara (director); Shade Rupe (photographer); Nicholas St. John (screenwriter); Lili Taylor, Christopher Walken, Annabella Sciorra, Edie Falco (starring)

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N.p.: N.p., 1994. Collection of 17 vintage reference photographs taken on the set of the 1995 film by photographer Shade Rupe. Variously featured are director Abel Ferrara, actress Lili Taylor, cinematographer Ken Kelsch, screenwriter Nicholas St. John, and other cast and crew members, all photographed over the course of a single evening near Manhattan's Puck Building, Lafayette Street, an alley off Jersey Street, NYU, and Keith Haring's Pop Shop on Lafayette Street. Struck in 2020 from Rupe's original negatives, these being the only existing prints. Full provenance available, with letter from Rupe stating "no other prints have ever, or will ever, be struck." Stamp on verso of each photo crediting Rupe as photographer. A conceptual, black-and-white reimagining of the vampire movie, about a philosophy graduate student who is forced to reconsider the nature of evil and humanity after succumbing to a vampire and developing an addiction to human blood. Set and shot on location in Manhattan. 12 x 9… Read More
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Alien (Original photograph of Ridley Scott and Sigourney Weaver from the set of the 1979 film)

Alien (Original photograph of Ridley Scott and Sigourney Weaver from the set of the 1979 film)

by Ridley Scott (director); David Giler (producer); H.R. Giger (concepts); Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton (starring); Jerry Goldsmith (composer)

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Los Angeles: Twentieth Century-Fox, 1979. Vintage borderless photograph from the set of the 1979 film. Featuring director Ridley Scott and Sigourney Weaver looking over the script. One of the greatest science fiction/horror films ever made, based on an original story by screenwriter Dan O'Bannon and Ronald Shusett, and the auspicious debut of Ridley Scott. Ridley's franchise is so rich in themes and expandability that it has generated five sequels of comparable (or nearly comparable) artistic merit. The infamous "chest bursting" scene paved the way for future horror films to feature gore in more imaginative ways (but also caused viewers to vomit in theaters upon its initial release). 8 x 10 inches. Fine condition.
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Alien (Original photograph of Ridley Scott on the set of the 1979 film)

Alien (Original photograph of Ridley Scott on the set of the 1979 film)

by Ridley Scott (director); Dan O'Bannon, Walter Hill, David Giler (screenwriters); H.R. Giger (effects); Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton (starring)

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N.p.: N.p., 1979. Vintage borderless reference photograph of director Ridley Scott with a camera crew on the set of the 1979 film. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated three sequels and two prequels of comparable (or nearly comparable) artistic merit. The infamous "chest bursting" scene paved the way for future horror films to feature gore in more imaginative ways (but also caused viewers to vomit in theaters upon its initial release). Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. About Fine. National Film Registry. Ebert II.
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Alien (Original photograph of Ridley Scott, Derek Vanlint, and H.R. Giger on the set of the 1979...

Alien (Original photograph of Ridley Scott, Derek Vanlint, and H.R. Giger on the set of the 1979 film)

by Ridley Scott (director); Dan O'Bannon, Walter Hill, David Giler (screenwriters); H.R. Giger (effects); Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton (starring)

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N.p.: N.p., 1979. Vintage borderless reference photograph of director Ridley Scott with cinematographer Derek Vanlint on the set of the 1979 film, with artist H.R. Giger looking on in the background. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated several sequels and prequels. Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. About Fine. National Film Registry. Ebert II.
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Aliens (Original screenplay for the 1986 film)

Aliens (Original screenplay for the 1986 film)

by James Cameron (director, screenwriter); Sigourney Weaver, Carrie Henn, Michael Biehn, Paul Reiser, Lance Henriksen, Bill Paxton (starring)

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Los Angeles: Twentieth Century-Fox, 1985. Final script for the 1986 film. A rare example of a sequel where in the sequel is not only as well received as the original film, but stands on its own as a separate work. A turning point in director James Cameron's career, his first big budget effort after the wildly successful "Terminator" in 1984. Nominated for seven Academy Awards, including Best Actress for Weaver. Set in space, shot on location in the United Kingdom. Green titled Twentieth Century-Fox wrappers, dated September 23, 1985. Title page present, dated September 23, 1985, noted as FINAL, with credits for director-screenwriter James Cameron. 106 leaves, with last page of text numbered 105. Xerographic duplication on eye-rest green stock, rectos only. Pages Fine, wrapper Near Fine, lightly creased on the front wrapper, bound with two gold brads.
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Alligator II: The Mutation [The Return] (Original screenplay for the 1991 film)
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Alligator II: The Mutation [The Return] (Original screenplay for the 1991 film)

by Jon Hess (director); Curt Allen (screenwriter); Joseph Bologna, Dee Wallace, Richard Lynch, Woody Brown (starring)

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N.p.: Golden Hawk Entertainment, 1990. Revised Draft script for the 1991 film. Copy belonging to actor Joseph Bologna, with his manuscript pencil and ink annotations throughout, and various production materials, including cast and crew contact sheets, bound in before the script. A huge alligator begins to prey on the inhabitants of a small town with a vast, labyrinthine sewer and drainage system. Sequel to the 1980 film "Alligator," directed by Lewis Teague. Shot on location in Echo Park and Los Angeles. Green titled wrappers. Title page present, dated March 18, 1990, with credits for screenwriter Curt Allen and story credits to Brandon Chase. 123 leaves, with last page of text numbered 107. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 3/18/90 and 4/23/90. Pages Near Fine, wrapper Near Fine, bound with two gold brads.
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Alligator (Archive of material from the 1980 film, including 240 vernacular photographs, a manuscript diary, and other production ephemera)

by Robert Forster, Sue Lyon, Dean Jagger, Henry Silva (starring); Lewis Teague (director); John Sayles (screenwriter)

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N.p.: N.p., 1979. Archive of material from the 1980 film belonging to boom operator Bill Yeager. Archive includes 240 vernacular color and black-and-white photographs taken on the set, a typescript letter from stuntman Tom Clardy to Yeager, two black-and-white reference photographs, and approximately 40 xerographically duplicated production documents. Among the production documents are maps of shooting locations and production memos, although call sheets comprise the balance. Of particular note are Yeager's humorous and descriptive diary entries executed in manuscript ink on the call sheet versos, documenting the film's production over 28 days. Archive also includes six typescript leaves transcribing the first three days of Yeager's manuscript diary entries. A baby alligator named Ramón is flushed down the toilet, growing to gargantuan proportions in the sewers after feasting for years on the corpses of hormone-riddled laboratory animals. Accidentally freed onto the streets of Chicago, Ramón… Read More
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Altered States (Collection of ten original photographs from the 1980 film)
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Altered States (Collection of ten original photographs from the 1980 film)

by Ken Russell (director); Paddy Chayefsky writing as Sidney Aaron (screenwriter, novel); William Hurt, Blair Brown, Bob Balaban, Charles Haid (starring)

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Burbank, CA: Warner Brothers, 1980. Collection of ten vintage black and white borderless studio still photographs from the 1980 film. Based on screenwriter Paddy Chayefsky's 1978 novel. Director Ken Russell's first American film, itself an "altered state" during production. Russell was constantly inebriated on the set, and had the actors mumble their lines in protest against Chayefsky's script. Chayefsky was subsequently banned from the set, and denounced the film even before production began. Edward Jessup (William Hurt, in his film debut) is a Harvard professor whose studies of the limits of human consciousness inevitably lead him down a strange and horrible path, from early experiments with a sensory deprivation tank to participation in Mexican Ayahuasca ceremonies. Set in Boston, shot on location in New York, California, Massachusetts, and Mexico. 9.5 x 7.5 inches. Near Fine.
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Altered States (Archive of film ephemera and materials relating to director Ken Russell circa...
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Altered States (Archive of film ephemera and materials relating to director Ken Russell circa 1980-1981)

by Ken Russell

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N.p.: N.p., 1981. Archive of materials relating to director Ken Russell. Most material undated, circa 1980-1981, with much relating to the release of Russell's 1980 film "Altered States." Collection includes one postcard and two letters on Russell Films letterhead, all written by Russell to a Richard Barfield. Also in the collection are a cassette tape in a case with an adhesive label reading "Altered States 135080 Indian Music," a small newspaper clipping from an unknown source regarding audience reception of the film, a program for the film's release, and the front and back wrappers of a March 1981 issue of "Starlog" magazine with a cover story about the anticipated release of the film. Also included are a gate pass and a visitor pass for The Burbank Studios, with the visitor pass filled out for Barfield. In the postcard, postmarked October 6, 1980, Russell expresses his gratitude that Barfield had written to him regarding the successful reception of early screenings for "Altered States" by… Read More
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...And Now the Screaming Starts (Collection of 8 photographs from the 1973 film)
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...And Now the Screaming Starts (Collection of 8 photographs from the 1973 film)

by Roy Ward Baker (director); David Case (novel); Roger Marshall (screenwriter); Peter Cushing, Herbert Lom, Ian Ogilvy, Stephanie Beacham (starring)

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London: Amicus Productions, 1973. Collection of 8 vintage black-and-white still photographs from the 1973 UK film, based on the novel "Fengriffen" by David Case. The ghost and severed hand of a 18th century servant terrorizes the descendant of the nobleman who maimed him, along with the descendant's new wife. A darker and more serious film than the typical Amicus horror films of the era. A story shot on location in the UK. 8 x 10 inches. Photos slightly wavy, Near Fine.
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Arachnophobia (Original screenplay for the 1990 film)
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Arachnophobia (Original screenplay for the 1990 film)

by John Goodman, Julian Sands, Jeff Daniels, Harley Jane Kozak (starring); Frank Marshall (director); Don Jakoby, Wesley Strick (screenwriters)

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Los Angeles: Amblin Entertainment, 1989. Revised Draft script for the 1990 film. Copy belonging to an unidentified cast or crew member, with annotations in manuscript ink on the title page and page 96. Script pages periodically watermarked with production code "ARA 0093" as called for with Amblin scripts from this era. A large, venomous spider is inadvertently transported from the jungles of Venezuela to a small town in California, where it soon mates with a local spider, producing thousands of deadly spiders that threaten to take over the nation. Set and shot on location throughout California, in Los Angeles, Paso Robles, and Pasadena, and in Estado Bolívar, Venezuela. Self wrappers. Title page present, dated December 28, 1989, noted as Revised, with credits for screenwriters Don Jakoby, Al Williams, Wesley Strick, and Stephen Metcalfe. 165 leaves, with last page of text numbered 121. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated variously between 1/9/90… Read More
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The Attic Expeditions (Two original screenplays for the 2002 film, housed in a production binder...
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The Attic Expeditions (Two original screenplays for the 2002 film, housed in a production binder belonging to costume designer Judith Brewer Curtis)

by Seth Green, Jeffrey Combs, Ted Raimi, Alice Cooper (starring); Jeremy Kasten (director, screenwriter); Rogan Russell Marshall (screenwriter)

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Los Angeles: Tse Tse Fly Productions, 2001. Two Final Draft scripts for the 2002 film. Scripts belonging to costume designer Judith Brewer Curtis, with her annotations in manuscript ink throughout, and housed in her production binder with wardrobe test photographs and ephemera relating to costuming for the film. Binder includes an eight page shooting schedule, an eight page continuity breakdown, four pages of Curtis' xerographically duplicated costume design sketches, and 29 Polaroid wardrobe test shots. An amnesiac wakes up in an asylum for the criminally insane, discovering that he has been found guilty of murdering his girlfriend-a crime he does not recall. As his fellow inmates begin showing up dead, he begins to wonder if the murder is somehow linked to the asylum's sinister director. Shot on location in Los Angeles. Final Draft, no revisions: Title page present, undated, noted as Final Draft, with credits for screenwriters Jeremy Kasten and Rogan Russell Marshall. 111 leaves, with last… Read More
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Bacchanales sexuelles [Tout le monde il en a deux] (Collection of five original photographs from...
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Bacchanales sexuelles [Tout le monde il en a deux] (Collection of five original photographs from the 1974 French film)

by Jean Rollin directing as Michel Gentil (director, screenwriter); Natalie Perrey (screenwriter); Joelle Coeur, Brigitte Borghese, Marie-Pierre Castel, Catherine Castel (starring)

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N.p.: Nordia Films, 1974. Collection of five vintage borderless reference photographs from the 1974 erotic horror film. A young woman watching over her cousin's house is mistakenly kidnapped by a crazed sex cult. Jean Michel Rollin Roth Le Gentil, more commonly known as Jean Rollin, had gained notoriety (and some scandal) with his early French vampire films "Le Viol du Vampire" (1968), "La Vampier Nue" (1970), "Le Frisson des Vampires" (1970), and "Requiem pour un Vampire" (1971). When beginning production on his first non-vampire film "La Rose de Fer" (1973) he found himself in need of funding and began making adult sex films, which he continued to direct under a variety of pseudonyms through the mid-1980s. 5 x 7 inches. Very Good plus. Bier, p. 973.
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Bad (Four original photographs from the 1977 film)
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Bad (Four original photographs from the 1977 film)

by Andy Warhol (producer); Stefania Casini (starring); Jed Johnson (director); Pat Hackett, George Abagnalo (screenwriters); Carroll Baker, Lawrence Tierney, Perry King, Susan Tyrrell (starring)

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N.p.: N.p., 1977. Four vintage borderless small-format reference photographs from the 1977 film. Printed mimeo snipes in German affixed to the versos. A beauty salon owner moonlighting as the secret leader of a group of hit women allows a young male drifter to join her group on a trial basis. Set and shot on location in New York. 7 x 5 inches. Near Fine.
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Bad Ronald (Signed First Edition)

Bad Ronald (Signed First Edition)

by Jack Vance writing as John Holbrook Vance

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New York: Ballantine Books, 1973. First Edition. First Edition, a paperback original. SIGNED by the author (as Jack Vance) on the title page. Uncommon to find in this condition, and quite scarce signed. Basis for the classic 1974 made for television horror film, directed by Buzz Kulik and starring Scott Jacoby, Dabney Coleman, and Kim Hunter. A shy teenager accidentally kills a fellow student who is mocking him, and with the help of his mother, hides in a spare room in their house. One thing leads to another. About Fine and unread in wrappers.
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The Beast With Five Fingers and Other Tales (First edition, publisher's file copy)
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The Beast With Five Fingers and Other Tales (First edition, publisher's file copy)

by William Fryer Harvey

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London: J.M. Dent and Sons, 1928. First Edition. First Edition. Publisher's file copy, with a label marking it as such tipped-in on the front pastedown, and blindstamped "FILE COPY" on the front flyleaf. Basis for the 1946 film noir directed by Robert Florey and starring Peter Lorre, Victor Francen, Andrea King, and Robert Alda. Near Fine, lacking the scarce dust jacket. Spine faintly faded, with faint foxing to the page edges and light offsetting to the endpapers.
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The Beast with Five Fingers (Original photograph of Robert Florey and Peter Lorre on the set of...
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The Beast with Five Fingers (Original photograph of Robert Florey and Peter Lorre on the set of the 1946 film)

by Peter Lorre (starring); Robert Florey (director); Curt Siodmak (screenwriter); Mac Julian (photographer); W.F. Harvey (story); Robert Alda (starring)

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Burbank, CA: Warner Brothers, 1946. Vintage reference photograph of director Robert Florey arranging a shot with actor Peter Lorre on the set of the 1946 film. Printed mimeo snipe affixed to the verso, along with a Warner Brothers stamp, the stamp of photographer Mac Julian, and a provenance stamp. Based on the 1919 short story by W.F. Harvey. A wealthy, disabled pianist with an interest in the occult is found murdered in his Italian villa, leading local villagers to suspect evil forces involved in his death. Peter Lorre's final film for Warner Brothers, ending a five-year involvement. 10 x 8 inches. Near Fine. Grant UK. Selby UK. Spicer UK.
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