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1900 (Original photograph on the set of the 1976 film)

1900 (Original photograph on the set of the 1976 film)

by Bernardo Bertolucci (director, screenwriter); Franco Arcalli, Giuseppe Bertolucci (screenwriters); Robert De Niro, Gerard Depardieu, Dominique Sanda, Francesca Bertini (starring)

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Los Angeles: Paramount Pictures, 1976. Vintage photograph on the set of the 1976 film, showing director Bernardo Bertolucci giving instructions to actors Robert De Niro, Gerard Depardieu, and Romolo Valli. Director Bernardo Bertolucci's epic film was a gargantuan undertaking, requiring the resources of three European countries and a trio of American movie studios. Set in the small town of Parma, the film follows two best friends born in 1901 whose lives diverge drastically as a result of their class differences and the rise of Fascism in Italy. Set in Parma, Italy, shot on location in Rome, Lombardia, and Campagnia, Italy. 6 x 4 inches. Near Fine. Eureka 135. Olive Films 345.
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1957 Cannes Film Festival (Collection of 16 original photographs)
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1957 Cannes Film Festival (Collection of 16 original photographs)

by Manciet, Pierre, and L. Mirkine (photographers)

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Nice: Self published, 1957. Sixteen vintage photographs from the 1957 Cannes Film Festival. On the versos of 11 photos is a rubber-stamp for photographer "L. Mirkine," photographer "Pierre Manciet" on the versos of remaining 5, and names corresponding to the image subjects on the versos in manuscript ink. Housed in a manila envelope with "Festival 1957 Cannes" on the recto in manuscript ink. The collection features images of Jean Cocteau (in the arms of Ann Heywood and June Laverick as he talks to James Robertson Justice), Patricia Smith, Izolda Izvitskaya, Roman Karmen, Don Murray, Grigoriy Chukhray, Oleg Strizhenov, Jacqueline Pagnol, Giuletta Masina, Eleanor Rossi Drago, Nadia Gray, Nicole Berger, Maurice Ronet, Melina Mercouri, William Wyler, Maëa Flohr, Mylene Demongeot, and John Kitzmiller, among others. The 1957 festival marked it's tenth anniversary, prominent jurors included André Maurois, Jean Cocteau, Marcel Pagnol, Michael Powell, Dolores del Río, Claude Aveline, and Alberto… Read More
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7 [Seven] Deaths by Prescription [Sept morts sur ordonnance] (Original photograph of Jane Birkin...
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7 [Seven] Deaths by Prescription [Sept morts sur ordonnance] (Original photograph of Jane Birkin and Gérard Depardieu from the 1975 French film)

by Michel Piccoli, Jane Birkin, Gérard Depardieu, Marina Vlady (starring); Jacques Rouffio (director, screenwriter); Georges Conchon, Jean-Louis Chevrier (screenwriters)

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Paris: Sygma, 1975. Vintage oversize borderless reference photograph from the 1975 French film, showing actors Jane Birkin and Gérard Depardieu. Mimeo snipe and stamp of Sygma on the verso. A surgeon at a public hospital in a small French town faces harassment from a rival surgeon and his incompetent sons, who hate competition. 12 x 8 inches, with a wide right margin, Very Good plus, with moderate edgewear and a short closed tear on the right edge.
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Action (Original photograph from the 1980 Italian film)

Action (Original photograph from the 1980 Italian film)

by Luc Merenda, Susanna Javicoli, Adriana Asti (starring); Tinto Brass (director, screenwriter); Gian Carlo Fusco, Roberto Lerici, Vincenzo Siniscalchi (screenwriters)

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N.p.: N.p., 1980. Vintage color borderless reference photograph from the 1980 Italian film. Provenance stamp and manuscript label crediting photographer Gianfranco Salis. A low-budget film actor suffers a nervous breakdown and runs away with an actress who believes herself to be Shakespeare's Ophelia. 9.5 x 7 inches. Near Fine.
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Adua and Her Friends [Adua e le compagne] (Collection of 64 original film stills for the 1960 film)
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Adua and Her Friends [Adua e le compagne] (Collection of 64 original film stills for the 1960 film)

by Antonio Pietrangeli (director, screenwriter); Ruggero Maccari, Ettore Scola, Tullio Pinelli (screenwriters); Vittorugo Contino (photographer); Simone Signoret, Sandra Milo, Emmanuelle Riva, Gina Rovere (starring)

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Rome: Zebra Films / Cineriz, 1960. Collection of 64 vintage borderless single weight film still photographs for the 1960 Italian film. Starring actress Signoret is prominently featured, looking pensive or embracing costar Mastroianni, and in stunning group images with her female costars. Numerical annotations in manuscript pencil on the versos, five with Contino's rubberstamp, and two are dupes made by the original developer. Based on an original screenplay, about the 1958 Merlin Law making brothels illegal in Italy. Adua (Signoret) and her three friends are prostitutes whose brothel in Rome is shut down. Adua convinces them to pool their savings to open a restaurant to generate a living, instead of returning to prostitution. Their permit is rejected because of their lurid history, but a former client agrees to buy the building and hire them to run a brothel fronting as a restaurant, charging them rent. The restaurant is ironically successful and Adua even romances Piero (Mastroianni), but her… Read More
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Adua and Her Friends [Adua e le compagne] (Original program for the 1960 film)
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Adua and Her Friends [Adua e le compagne] (Original program for the 1960 film)

by Antonio Pietrangeli (director, screenwriter); Ruggero Maccari, Ettore Scola, Tullio Pinelli (screenwriters); Vittorugo Contino (photographer); Simone Signoret, Sandra Milo, Emmanuelle Riva, Gina Rovere (starring)

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Paris: Zebra Films / Cineriz, 1960. Original oversize program for the 1960 Italian, here under the original title. Illustrated in red, with black-and-white stills from the film. Starring actress Signoret is prominently featured, looking pensive or embracing costar Mastroianni, and in stunning group images with her female costars. Also included is an original press packet, detailing film credits, a synopsis, and brief star biographies. Based on an original screenplay, about the 1958 Merlin Law making brothels illegal in Italy. Adua (Signoret) and her three friends are prostitutes whose brothel in Rome is shut down. Adua convinces them to pool their savings to open a restaurant to generate a living, instead of returning to prostitution. Their permit is rejected because of their lurid history, but a former client agrees to buy the building and hire them to run a brothel fronting as a restaurant, charging them rent. The restaurant is ironically successful and Adua even romances Piero (Mastroianni), but… Read More
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The Affairs of Messalina [Messalina] (Original Italian Souvenir Program for the 1951 film)

The Affairs of Messalina [Messalina] (Original Italian Souvenir Program for the 1951 film)

by Carmine Gallone (director, story); Vittorio Nino Novarese, Albert Valentin, Pierre Laroche, Cesare Ludovici (screenwriters); Maria Felix, Georges Marchal, Memo Benassi, Delia Scala (starring)

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Rome, Italy: Produzione Gallone / Filmsonor, 1951. Original souvenir program, printed in Italy, for the 1951 Italian-French-Spanish film. With several full-color illustrations of Roman warriors and women, and black-and-white films stills and on-the-set images. Based on the powerful and influential wife of the Roman Emperor Claudius, who conspired to kill him and was executed as a result. The classic adulterous figure has been portrayed in film since the Silent era, and actress Felix, a prolific and popular Mexican celebrity, marked the third appearance of Messalina on screen. A healthy credit for director Carmine, whose 100-plus films leave a considerable impression in early Italian cinema. 9.25 x 12 inches, saddle-stapled color illustrated wrappers, 12 leaves. Very Good plus, with foxing and light curling.
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Alessandro Albrizzi (Two original photographs, circa 1950s)
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Alessandro Albrizzi (Two original photographs, circa 1950s)

by [Alessandro Albrizzi]

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Paris: William Morris Agency, 1950. ry Good Plus overall, with faint foxing and slight curling.
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Am Abend nach der Oper [In the Evening After the Opera] (Original program for the 1945 German film)

Am Abend nach der Oper [In the Evening After the Opera] (Original program for the 1945 German film)

by Arthur Maria Rabenalt (director); Johanna Sibelius (screenwriter); Gusti Huber, Siegfried Breuer, Erich Ponto (starring)

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N.p.: N.p., 1945. Vintage program for the 1945 German film. Text and titles in German. After being released from prison for murdering his first wife, a factory owner remarries, but lives in fear of blackmail and the secret being exposed to his second wife. 7.25 x 10.5 inches. Bifold. About Near Fine.
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Am Ende der Welt [At World's End] (Original program for the 1947 German film)

Am Ende der Welt [At World's End] (Original program for the 1947 German film)

by Gustav Ucicky (director); Gerald Menzel (screenwriter); Brigitte Horney, Attila Hörbiger, Trude Hesterberg, August Pünkösdy (starring)

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N.p.: N.p., 1947. Vintage program for the 1947 German film. Text and titles in German. A sawmill administrator at the center of a remote forest contends with the wishes of the factory heiress, who wishes to borrow an astronomical sum in order to open a nightclub in town. 7.25 x 10.5 inches. Bifold. About Near Fine.
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The Amazons [Le guerriere dal seno nudo] (Original photograph of Florence Cayrol from the 1973 film)

The Amazons [Le guerriere dal seno nudo] (Original photograph of Florence Cayrol from the 1973 film)

by Terence Young (director); Richard Aubrey, Dino Maiuri, Robert Graves, Massimo De Rita, Serge de la Roche (screenwriters); Luciana Paluzzi, Malisa Longo, Helga Liné, Angelo Infanti (starring)

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Hollywood: Prime, 1973. Vintage borderless photograph from the 1973 film, showing actress Florence Cayrol. Stamp of Prime Pictures on the verso. A sword-and-sandal film about an all-female society of Amazon warriors as they select their new queen, who must mate with the Greek king Theseus to carry on the bloodline of the tribe. Shot on location in Italy and Spain. 8 x 10 inches. Very Good plus, with a light crease at the bottom right corner.
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Angelika [Affairs of Dr. Holl] (Original pressbook for the US release of the 1951 German film)

Angelika [Affairs of Dr. Holl] (Original pressbook for the US release of the 1951 German film)

by Rolf Hansen (director); Thea von Harbou (screenwriter); Maria Schell, Dieter Borsche, Heidemarie Hatheyer (starring)

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New York: Joseph Brenner, 1951. Vintage pressbook for the US release of the 1951 German film. The doctor of an invalid heiress marries her out of pity, not expecting her to live more than a few years after their marriage, but begins to fall in love with her. Shot in Rome and Naples, Italy, and in Bavaria, Germany. Single leaf, bifold, 10.5 x 13.5 inches. Very Good plus, with light edgewear.
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Antoine and Colette, from the anthology film Love at Twenty (Four original photographs from the...
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Antoine and Colette, from the anthology film Love at Twenty (Four original photographs from the 1962 film)

by François Truffaut (director, screenwriter); Jean-Pierre Léaud, Marie-France Pisier, Patrick Auffay (starring)

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N.p.: N.p., 1962. Four vintage borderless studio still photographs from the 1962 film. Rare. "Love at Twenty" is anthology film on the titular theme by five filmmakers, Shintaro Ishihara, Marcel Ophuls, Renzo Rossellini, François Truffault, and Andrzej Wajda, united with a score by Georges Delerue and photographs of Henri Cartier-Bresson. Truffaut's short is the second of five films which follow his alter-ego, Antoine Doinel (Jean-Pierre Léaud). The films in the Antoine Doinel series are "The 400 Blows" (1959), "Antoine and Colette" (1962), "Stolen Kisses" (1968), "Bed and Board" (1970), and "Love on the Run" (1979). Antoine, now aged 17, falls in love for the first time to the lovely Colette (Marie-France Pisier), whose feelings, though tender, are not reciprocated. Set in and shot on location in Paris. 8 x 10 inches. Near Fine. Criterion Collection 185.
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Archive of original Christmas gift lists for Cinedis film agency journalists
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Archive of original Christmas gift lists for Cinedis film agency journalists

by [Cinedis] Maziere, Christian de la, and Maryse Martres

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Paris: Cinedis, 1960. Archive of correspondence, gift lists, and journalist lists from representatives at Cinedis, notably Christian de la Maziere, briefly the impresario of press relations (and former Waffen-SS soldier), and Maryse Martres (Martin), who managed much of the company's press and advertising responsibilities. Text in French. Represented in the archive are more than 50 leaves and an advertising catalog, including several checklists detailing the names of various associates who have contributed in some way to Cinedis, and a few notes of correspondence thanking de la Maziere and Martres for gifts received. Dates noted for gift lists include 1957-1958, 1958-1959, and 1959-1960, many with annotations in manuscript ink noting addresses, and some of the lists note in manuscript ink gift ideas for each recipient, being cravate (ties), bloc notes (note pads), montre (watch), crayon Balmain (pencils), echarpe (scarf), and other items. Regarding the budget for these gifts, several leaves… Read More
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Archive of material relating to Denham Film Studios, circa 1980
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Archive of material relating to Denham Film Studios, circa 1980

by Francis Ford Coppola, David Lean, Laurence Olivier, Michael Powell, Alfred Hitchcock, Ridley Scott, others (directors)

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Buckinghamshire: London Film Productions, 1980. Small archive of material relating to Denham Film Studios (also known as London Films), circa 1980. A number of notable films were shot at Denham Studios through the 1940s and 1950s, including "Great Expectations" (1946), "Hamlet" (1948), and "The Thief of Bagdad" (1940), before closing in 1952. The studios would be rented to the US Air Force between 1955 and 1961, and were later used for sound recording for film. They are today best remembered for their work on film scores, including "Star Wars" (1977), "Alien" (1979), and "Vertigo" (1958). In 1980 the studios were purchased by a developer and demolished. Collection includes: Two photographs of Denham Film Studios during construction in 1935 and 1936. A five-page description of the history of the studios and of the London Films production company. Two xerographically duplicated copies of articles regarding Denham Studios from Kinematograph Weekly, dated April 30th, 1936. A xerographically… Read More
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As Long as You've Got Your Health [Tant qu'on a la sante] (Original photograph of Pierre Etaix...

As Long as You've Got Your Health [Tant qu'on a la sante] (Original photograph of Pierre Etaix from the 1966 film)

by Pierre Étaix (director, screenwriter, starring); Jean-Claude Carriere (screenwriter)

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Paris: C.A.P.A.C., 1966. Vintage borderless photograph from the 1966 film. A compendium of four short films from the master French comedian, a contemporary and collaborator with legends such as Jacques Tati and Jerry Lewis, who legacy was threatened with obscurity when ongoing legal disputes kept his work from being available for almost 40 years. 5 x 7 inches. Near Fine. Criterion Collection 655.
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Ashes and Diamonds (Three original photographs from US release of the 1958 film)
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Ashes and Diamonds (Three original photographs from US release of the 1958 film)

by Andrzej Wajda (director, screenwriter); Jerry Andrzejewski (novel, screenwriter); Zbigniew Cybulski, Ewa Krzyzewska, Waclaw Zastrzezynski (starring)

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New York: Janus Films, 1961. Three vintage studio still photographs from the 1958 film. Based on the 1948 novel by Jerzy Andrzejewski. The last film in the "war" trilogy that began Polish director Wajda's career as a director, preceded by "Pokolenie" (1955) and "Kanal" (1957). A strong anti-war statement, framed in the personae of two men given orders - from the part of the resistance that opposes the new Communist regime, and on the last day of World War II in Poland - to murder a leading communist. One of Wajda's favorite performers and a friend, Zbigniew Cybulski, plays the man who eventually pulls the trigger and kills the communist leader, with unexpected results. 8 x 10 inches. Near Fine. Rosenbaum 1000. Criterion Collection 282.
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Aventuras del capitan Maravillas and others (Collection of 158 Spanish film heralds, 1923-1971)
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Aventuras del capitan Maravillas" and others (Collection of 158 Spanish film heralds, 1923-1971)

by [Heralds]

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Barcelona: Various Film Studios, 1971. Collection of 158 Spanish film heralds for American genre and drama films released 1923-1971. Nearly all heralds were printed in Barcelona, by printers Marti y Mari, I.G. Viladot, Juan Barguno, Melguizo, Jose Sabadell, Graficas Valencia, and others, upon the Spanish release of international films. Most are for American films, a few Spanish productions, and notable others include English's "The Adventures of Captain Marvel" (1941), Tourneur's "Cat People" (1942), Fleming's "Gone with the Wind" (1939) and "The Wizard of Oz" (1939), Hitchcock's "Shadow of a Doubt" (1943), Beebe's "The Shadow of the Eagle" (1932), from Blystone's "Our Hospitality" (1923) to Hough's "Twins of Evil" (1971). Film handbills, or heralds, were essentially mini film posters, and were produced as an economical way to promote both international and regional films, distributed by press agencies and theaters shortly before the film's local release. Many were released with specific text on… Read More
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The Beauties of the Night (Original Spanish program for the 1952 film)

The Beauties of the Night (Original Spanish program for the 1952 film)

by Martine Carol, Gina Lollobrigida, Gerard Philipe (starring); René Clair (director, screenplay, producer); Pierre Barillet, Jean-Pierre Gredy (screenwriters)

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Paris: Franco London Films, 1952. Vintage Spanish program for the 1953 French / Italian film. With a tipped-on cover plate illustration by French poster artist Georges Allard. Includes an introductory essay by Clair, and duotone full-size photo-illustrations of the cast. Text in Spanish. A young composer, bored and irritated with the world of the present, gives himself over completely to daydreams of romance and adventure, hopping through time from the French Revolution to the Jazz Age. Saddle-stapled, 16 pages. 12.25 x 9.5 inches. Near Fine, with just a touch of fading to the card wrappers and a faint corner crease on the front and rear of the outer Mylar wrapper. Godard, Histoire(s) du cinema.
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Betty Blue (Original photograph from the set of the 1986 French film)

Betty Blue (Original photograph from the set of the 1986 French film)

by Béatrice Dalle, Jean-Hugues Anglade, Gérard Darmon, Consuelo De Haviland (starring); Jean-Jacques Beineix (director, screenwriter); Philippe Djian (novel)

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N.p.: N.p., 1986. Vintage borderless photograph of Jean-Jacques Beineix directing Béatrice Dalle and Jean-Hugues Anglade on the set of the 1986 film. Annotations in manuscript ink on the verso. Based on Philippe Djian's 1985 novel "37°2 le matin," about a would-be novelist whose relationship with an eccentric nineteen-year-old girl deteriorates as her mental illness unexpectedly worsens. Nominated for an Academy Award for Best Foreign Film. Shot on location in Paris, Val-de-Marne, Aude, Lozère, and Bouches-du-Rhône, France. 9.5 x 7 inches. Near Fine. Criterion Collection 1002.
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